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论文作者:留学生论文论文属性:硕士毕业论文 thesis登出时间:2010-12-23编辑:anne点击率:2657
论文字数:2614论文编号:org201012231009537777语种:英语 English地区:加拿大价格:$ 132
关键词:ComparecontrastcharacterizationOusmane SembeneEmitaiSecond World War
1 introduction
The filmmaking industry has experienced enormous prosperity during past decades, 加拿大论文especially blooming since the application of computer technology in the last two decades. During the development of filmmaking industry, filmmakers from all over the world have been making significant efforts. Particularly, the art of filmmaking has been enriched by the works of various African filmmakers which could never be ignored. However, although plenty of works have been produced by the African filmmakers, few of the remarkable works are focusing on the largely illiterate African majority as the target audience, especially before the 90s in the last century (Iyam, 1986). This is mainly because filmmaking has been considered the most expensive form of art, so that without necessary and health financial support, it could not be easy to continue the pursuit of artistic excellence.
2 Characterization, narration and film style
3 Compare and contrast Emitai and Camp de Thiaroye
4 Conclusion
5 References
Bazin, A., 1967. What is Cinema? Vol. 1. Trans. Hugh Gray. London: University of California Press, Ltd.
David, B., Thompson, K., 2003. Film Art: An Introduction (Seventh edition ed.). New York: McGraw-Hill.
Gabriel, T., 1982. The Cinema in the Third World: The Aesthetics of Liberation. Michigan: UMI Research Press.
Garb, G., Enchill, N.K., 1981. Ousmane Sembene: The Medium is the Message. Africa Now 6/1981.
Henderson, B., 1976 "The Long Take," in Movies and Methods: An Anthology, ed. Bill Nichols .Berkeley: University of California Press.
Iyam, D.U., 1986. The silent revolutionaries: Ousmane Sembene’s Emitai, Xala, and Ceddo. African Studies Review, 29:79-87.
Kracauer, S., 1979. Theory of Film: The Redemption of Physical Reality. New York: Oxford University Press.
Pfaff, F. 1984., The Cinema of Ousmane Sembine: A Pioneer of African Film. London: Greenwood Press.
Shaka, F.O., 1995. Vichy Dakar and the other story of French colonial stewardship in Africa: a critical reading of Ousmane Sembene and Thierno Faty Sow’s Camp de Thiaroye. Research in African Literatures, 26: 67-77.
Shelley, C., 1996. Rhetorical and Demonstrative Modes of Visual Argument: Looking at Images of Human Evolution. Argumentation and Advocacy, 33: 53-68.
Snyder, F.G., 1981. Capitalism and Legal Change: An African Transformation. New York: Academic Press Inc.
Steele, C.M., Aronson, J., 1995. Stereotype threat and the intellectual test performance of African Americans. J. Pers. Soc. Psychol., 69: 797–811
代写需求
论文题目:Compare and contrast the strategies of characterization, narration and film style utilized by Ousmane Sembene in Emitai (1971) and Camp de Thiaroye (1988), in order to tell the story of ‘forgotten’ acts of colonial violence related to the Second World War
论文语种:英文
您的研究方向:Film Studies
是否有数据处理要求:否
您的国家:加拿大
您的学校背景:多伦多大学
要求字数:2400-3000
论文用途:代写加拿大论文预科毕业论文
是否需要盲审(博士或硕士生有这个需要):否
补充要求和说明: