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艺术专业英语论文选:论审美文化的当代情结 [2]

论文作者:英语论文论文属性:职称论文 Scholarship Papers登出时间:2012-04-27编辑:lena ding点击率:10740

论文字数:2730论文编号:org201204270955582932语种:英语 English地区:中国价格:免费论文

关键词:EstheticDivine natureSecularizationCultureDimension

摘要:审美文化不是一种凝固性存在,而是一种流动性存在;不是一种恒定的存在,而是一种变化的存在,因此,审美文化的当代特性呈现为一些流动的情结,而不是某种静止的性状,我们将这些特定的情结概括为精神意趣上的世俗化;符号意指上的平面化;风格倾向上的新奇化;实践目标上的娱乐化;外延范围上的生活化。不过,值得注意的是,这些情结并不表明当代审美文化的共同本质,事实上,当代审美文化的情结是多元的,它甚至保留着与上述情结对立的情结。于是有问:何以将上述情结看作当代审美文化的基本特征?回答:由于这些情结是现代性进程的特殊后果,并在当代社会获得了主导性,因此,它们是当代审美文化区别于传统审美文化的决定性要素。

auty and divinity associated aesthetic means that things are welcome to no longer be associated only in its own divinity. Such as the aesthetic of the flesh, in the extreme secular aesthetic space, but the flesh is neither Greek divinity mean, there is no non-Christian type God (sin) means the flesh is flesh, and its beauty and ugliness to since in itself. Therefore, in a secular context, the symbolic nature of the aesthetic things fundamentally changed, it no longer points to a visible, metaphysical divine existence, and the only referent.
      Dante comes to the understanding of a passage in the Bible, Genesis is also related to this vision. This text is: "When Israel out of Egypt, Jacob's family escaped from the alien to speak foreign languages, the Jewish into the holy city of Israel into his power." Dante said: "If on the literally speaking, appeared in front of us, only the children of Israel left Egypt it at the time of Moses; as an analogy, it said that the atonement of Christ for what we have done; if the moral sense theory, we see the suffering of the soul from sin to the transformation of the Grace of the Sacred; as an allegory of view, that is the Holy Spirit turned to the eternal glory of the meaning of freedom from the decadent state of slavery. Although these mysterious significance has its own special name, but the total up that can be called moral, because of the different historical significance of their literally. [2] Dante so-called "moral" refers to things and metaphorical associations of divine existence.
       In fact, both the West or the East, the traditional world is a faith on the basis of the metaphorical world. In this world, the producers of America struggled to find and establish the metaphor, the appreciation of beauty to great pains to comprehend a metaphor, in a word, the traditional aesthetic culture is to visualize the production and use of metaphor.
      From the above analysis shows that the the plane of the aesthetic image in the sense in two dimensions: the dimension of "secularization", cut off all the real existence of metaphorical association with the divine existence, the aesthetic activities brought to the plane of the real existence of self-referential; "to be like" dimension, cut off the Image and Reality of reproducibility associated with the aesthetic activity is the introduction of the pure image of the plane of self-referential. Gave up the pursuit of depth pursuit of the metaphorical and realistic reproduction, contemporary aesthetic cultural significance of space, flattening and vain, or that the spiritual implication of the air is getting thin and virtual reality.

 

 Novelty of feeling adrift
      America in the traditional world, people generally believe that things have a mysterious source of the Kingdom of the United States is divided into two. America One is reflected in the body of the individual things, such beauty attached to beauty itself, it is ever-changing, and vary widely; the other is beauty itself, it is not attached to anything, comfortable self-contained, self-same, eternal. In ancient China, the so-called "big invisible," said the visible beauty and invisible beauty is different.
      By the 19th century, classical and modern (or romantic) aesthetic taste is already separate categories. Baudela论文英语论文网提供整理,提供论文代写英语论文代写代写论文代写英语论文代写留学生论文代写英文论文留学生论文代写相关核心关键词搜索。

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