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论文作者:www.51lunwen.org论文属性:作业 Assignment登出时间:2013-09-11编辑:yangcheng点击率:4652
论文字数:1298论文编号:org201309102310244694语种:英语 English地区:中国价格:免费论文
摘要:服装与建筑设计同作为视觉艺术的一种,互相影响由来已久,它们自兴起以来,在发展中经常是“你中有我,我中有你”,共同积淀了深厚的历史文化,在艺术上始终达到和谐统一。在服装艺术的长期发展演化中,始终与其他视觉艺术形式相互依存,相互影响,产生共同的艺术美感。纵观东西方服装发展史,其间无不渗透着绘画、音乐、建筑、雕塑等多种艺术。
建筑与服装的渊源由来已久,中世纪时黑格尔曾把服装称为“流动的建筑”,也有称为“贴身的建筑”,一语道出了建筑与服装之间的微妙关系。十三世纪以巴黎圣母院为标志的哥特式建筑很快从法国波及到整个欧洲,受其影响,欧洲服饰造型也常常来用尖顶的形式和纵向直线,甚至连鞋、帽、头巾、都是呈尖头形状的。
architecture and clothing long origins , medieval clothing Hegel once called " mobile architecture" , also known as "personal architecture " , a way to explain the architecture and the delicate relationship between clothing . In the thirteenth century as a symbol of Notre Dame Gothic architecture soon spread to the whole of Europe from France , its impact, European Fashion modeling is also often come in the form of a spire and vertical lines , and even shoes, hats , scarves, are is was pointed shape . Subsequent years, although European clothing has been the evolution of Renaissance , Baroque , Rococo and other people of the same literary influence of ideas , but with a similar characteristic architectural appearance of clothing styles but unbroken until today .
例如,欧洲妇女自文艺复兴以后,一直喜欢用鲸骨或藤条(后来甚至用钢丝)做骨架,将裙子撑得鼓鼓的,较典型的有16 世纪的西班牙式“法琴盖尔”裙撑,19 世纪的“克里诺林”式裙撑等。
For example, women in Europe since the Renaissance, then, has been like a whale bone or cane ( and later even with a wire ) to provide a framework that will make it bulging skirt , more typical of a 16th century Spanish -style " piano Gail Law " skirt support of the 19th century , " Kerry Norlin " type panniers and so on. As panniers bigger and bigger, which affects the size of the architecture of the time , people had to widen the width of the door frame and the stairs so that the cage wearing the same dress that unimpeded access for women , this skirt quite architectural features , Just as Hegel put it, " just as one in which people can freely move around the house ."
跨界行为其实并非是现代的产物,在历史中早有先例。文艺复兴时期的天才画家达芬奇更是发明家、哲学家、音乐家、医学家、生物学家、建筑工程师和军事工程师,他一面热心于艺术创作和理论研究,研究如何用线条与立体造型去表现形体的各种问题;另一方面他广泛地研究与绘画有关的光学、数学、地质学、生物学等多种学科。
In fact, cross-border behavior is not a product of modern , precedents in history . Renaissance artist Leonardo da Vinci is a genius inventor, philosopher , musician, physician, biologist , construction engineers and military engineer, he side keen on art and theoretical research to study how to use lines and three-dimensional modeling to the performance of a variety of physical problems ; other hand, he studied extensively and painting related optics, mathematics, geology, biology and other disciplines . Such generalists in the history of countless artistic development , for architectural design professionals , the most common cross-border design such as furniture design, graphic design and other decorations from the Bauhaus era to commonplace , but in addition, in contemporary architectural design and more art and design in the form of the exchange and Yan Shen integration.