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对于一位优秀的摄影艺术家来说，一个基本的问题就是将自己和摄影传说的猜想区分开来，在某种程度上说就是将自己和那些只知道用相机制造图片的普通人区分开来，以及还要说服我们自己的工作是特别的。本文原理阐述的目标就是将我的职业实践和我在大学研究中探索的历史、理论环境相匹配。本文试图去创建这样一个对事实的认识，那就是，时尚摄影并不仅仅是关于时尚的，还需要强调艺术性，希望能够创造出优秀的摄影艺术。本文的第一部分将会检验摄影的本质，这已经成为的我的研究的介质。第二部分主要是对时尚摄影的研究，再随后是解析和讨论。为了将其与艺术连接起来，我将会简要介绍超现实主义的背景。最后的分析将会考虑到我的研究中的主要特征。时尚摄影能够被当做一种真正的艺术形式吗？理论、印证和文章能够支撑这一观点吗？艺术摄影的特征是什么？

研究显示，摄影诞生于1839年，被看做是日常生活里通过视觉交流观念的媒介。罗兰巴特将摄影定义为人们了解世界的援助方法。

A fundamental problem for fine art photographers is to distinguish themselves from this morras of photographic folklore, somehow to separate themselves from all these common men who know how to make pictures with cameras, and to convince us all that what they do is “special.“ (Christopherson, 1974) The aim of this rationale is to situate my professional practice within the historical and theoretical contexts explored during my university studies. This essay will deal with establishing the fact that fashion photography does not have to be just about fashion by emphasizing the art in my pieces and consequently creating fine art photography. The first part of this analysis will examine the nature of photography which has become the medium of my practice. Second part consists of consequent research on fashion photography and sequent analysis and discussion. In order to link it with art, the background of Surrealism will be briefly outlined. The final analysis will consider key features of my practice. Can be a fashion photography considered as a true art form? What theories, quotations or articles are in agreement with this subject matter? What are characteristics of art photography?

Research has shown that photography was born in eighteen thirty nine and is regarded as everyday medium that communicates concept visually. Roland Barthes (1980) defined photograph as aid which help us to be informed about the world. Furthermore, one should not forget the Susan Sontag’s theory - take pictures as you travel - what suggests that collecting the photographs means collecting the world. (Susan Sonntag, 1977) Charles Baudelaire (1859) suggests that photography depict the stupidity of masses, whereas P.H. Emerson claimed that “photography was an independent and potentially great art from capable of expressing thoughts and emotions beyond the scope of the other and older art forms.” (P.H. Emerson, 1975) In agreement with Emerson, this contemporary medium embodies the way of expressing ideas, expressing myself within my practice.” Photography is more than a medium for factual communication of ideas. It is a creative art “. (Ansell Adams, 1952) The question whether photography can be considered as an art has been discussed especially in sixties and seventies. It has been found out that in nineteen sixty eight was born the relationship between photography and art. In a Grunderg’s opinion, it has all started when photographers regarded photography as an art form and simultaneously artists have accepted camera in their practice. (Grundberg, 1987) On the one hand, there were artists who thought that camera is repressing imagination. On the other hand, some of t本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。