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艺术学课程作业:改革和艺术

论文作者:www.51lunwen.org论文属性:课程作业 Coursework登出时间:2015-11-24编辑:zhaotianyun点击率:3871

论文字数:3160论文编号:org201511122226389892语种:英语论文 English地区:中国价格:免费论文

关键词:Christian Reform教会腐败

摘要:本文是留学生艺术学课程作业,主要讲述了欧洲的宗教改革运动和反宗教改革运动。

艺术学课程作业:改革和艺术

Reformation and Art 


教会的腐败和不道德促使欧洲的基督教改革运动,最终导致了“基督徒和天主教徒之间几百年的内战”或者宗教改革。反宗教改革运动针对新教起义,始于教皇保罗三世特伦特委员会。这个运动是由教会试图重建它的力量,作为唯一真正的基督教堂,同时来安抚目前的障碍。创建这两个足以媲美动作危及欧洲的罗马天主教会的绝对权威,将它划分为新教和天主教南北的地区。受到这两种对立运动的影响,根据文化和艺术风格的绘画,北部和南部扩展到不同的方向。他们开发了独特的绘画风格,描绘不同主题,风格,和内容根据他们不同的信仰。是怎样的影响使图片上的改革运动从南阿尔卑斯山,阿尔卑斯山以北,荷兰以及尽管它们在风格方面的差距,这些地区的艺术家灵感是来自彼此之间的吗?艺术家的绘画从南阿尔卑斯山最有可能受到了反宗教改革运动的影响,而从其他两个地区产生的作品反映了新教的宗教改革,由于其地理位置。因此,这些地区的作品的内容和目的应该是不同的但有些相似之处可能存在于艺术家的绘画技巧,因为它是常见的艺术家在此期间前往罗马。有趣的是分析如何在16、17世纪欧洲绘画风格的宗教差异和新思想的发展。


The corruption and immorality of the Church spurred the Christian Reform movement in Europe, eventually leading to the 'hundred years of civil war between Protestants and Catholics' or the Protestant Reformation. The Counter- Reformation began with the Pope Paul III's calling of the Council of Trent in response to Protestant uprising; this movement was initiated by the Church's attempt to re-establish its power as the only true Church of Christ while pacifying the current disorder as well. The creation of these two rivaling movements jeopardized the Roman Catholic Church's absolute authority in Europe, dividing it into the regions of the Protestant North and Catholic South. Influenced by these two opposing movements, the North and South branched out into different directions in terms of its culture and artistic style of painting. They developed unique style of painting, depicting differing themes, styles, and contents based on their dissimilar beliefs. What influence did the reform movements have on the paintings from the south of the Alps, the north of the Alps, and the Netherlands and were the artists from these regions inspired by each other despite the divergence in their styles? The paintings by the artists from the South of the Alps would most likely been influenced by the Counter- Reformation, while the works produced from the other two regions would reflect the influence of the Protestant - Reformation due to their geographical locations. Therefore, the content and purpose of the works from these regions should differ but some similarities may exist in the artists' painting techniques because it was common for artists to travel to Rome during this time. It is interesting to analyze how the style in 16th and 17th Century Europe was shaped by the religious disparity and the development of new ideas which were reflected in the paintings. Since it is inaccurate to generalize the whole European continent into only two sections, I decided to narrow down my topic by focusing on the South of the Alps, the North of the Alps, and the Netherlands. I chose to study these regions because the South of the Alps was the center of Counter- Reformation strongly embraced by the Roman Catholic Church, while the North of the Alps was the birth place of the Protestantism. And the Netherlands was the hot bed for dispute between Calvinism and Catholicism. I referred the Protestant Reformers as one group, choosing not to deal with the Protestant sectarianism, a division within the Reformers due to the difference in their interpretation of the sacred texts, as part of my research.

The final spark of the Protestant Reformation was 'The Ninety-Five Theses' written by Martin Luther in 1517. His work disclosed Church's dishonesty, rousing doubts in people's minds about the Catholicism and also the Church's authority. His criti论文英语论文网提供整理,提供论文代写英语论文代写代写论文代写英语论文代写留学生论文代写英文论文留学生论文代写相关核心关键词搜索。

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