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艺术家和设计师 [4]

论文作者:www.51lunwen.org论文属性:作业 Assignment登出时间:2015-12-07编辑:zhaotianyun点击率:9384

论文字数:2282论文编号:org201511132009505421语种:英语 English地区:美国价格:免费论文

关键词:艺术家设计师立体派

摘要:摘要:本文主要讲述了19世纪30、40年代社会经济政治文化对艺术家和设计师的生活及工作方面的影响。

ed in 1943 in long island New York, Like many of his building designs he used the 'bi-nuclear principle' which divided living and sleeping areas into two separate wings rather like a butterfly. His use of simple forms to achieve basic building solutions were very innovative and ahead of his time. Creating a fluency of both horizontal and vertical elements as if carved in butter, natural and man made products used in symbolic order as to appear as one. He was a master of his craft, located in Long island this suburban dwelling was the first to be built and encompasses all the components that made Breuer such a pioneer I believe that he was greatly affected by events in his life that tried to suppress his individuality. For example Nazism, the closure of the Bauhaus, Hitler's suppression of art and free thinking. His move to New York enabled him to continue his experimentation of materials and form to do something totally unique. Be himself surrounded by similar free thinking and expressive peers.

The 20th century will forever be associated with Nazism, Fascism and world economic depression but it will also be recognised for the dynamic and liberating art it spawned, without the great works of any artist in this era the worlds art as it stands today would be flat, plain and boring just like it was before I'm not saying that the art didn't lack talent and a great showcase of craftsmanship but it was all much of a muchness really wasn't it?

My three chosen artists and designers are from their apparently different genre's there is a beauty through simplicity of basic line and use of colour. A growth of personal knowledge and a need to find practical applications for their works. The between war years were a time of extreme adversity, poverty, financial collapse and moral decay. In their own unique way they managed to shake off the oppressive and open their minds to a new world order of boldness, clean sharp lines, yet a softness and a needing for change to use ones mind to explore the deeper thoughts inside rather than to state or show the obvious.

I have chosen two works from each of the artists and designers in hope to show the growth and maturity of their works during those tortured times. The 3 people appear to be totally separate representing three vastly varying genre's all with a definite starting point and specific style, but each shows a beauty through simplicity of basic line and colour, growth of personal knowledge and practical application through a time of extreme worldwide adversity and moral decay of a world in economic depression they all found they need to shake off the oppressive nature of existence at this time to clear and open ones mind to a new world order, of clean sharp lines of boldness and use the mind to explore deeper thoughts inside rather than just see the obvious. This need is evident in their work the culture that ensued in the relative safety of the enclosure of style and inventiveness which was and still is evident today. New York is an inspiration of old and new intertwined with the eccentricities of its individuals to create a bigger being a natural progression of both maturity and understanding to emphasise that art grows, it develops with age as events and gained knowledge mould the artists and this then reflects in their reaction to world events. Creating dynamic and spectacular works that will be remembered for a very long time.

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