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新西兰怀卡托大学大众传媒(screen&media) final essay Screen Studies 3: Screen Theory [2]

论文作者:留学生论文论文属性:短文 essay登出时间:2010-10-22编辑:steelbeezxp点击率:6681

论文字数:论文编号:org201010220720237159语种:英语 English地区:新西兰价格:$ 66

关键词:final essayScreen StudiesScreen Theory

oman gradually has evolved into a real disaster and the supernatural nightmare. On the one hand, the catastrophe of the forces of nature was no doubt a non-human and alien's destructive power in the surface structure of the narrative, which separated the young lovers forever, while they were unable to resist this kind of historical disaster. On the other hand, despite the shipwreck situation was very painful, it presented people with the high heroism passion, which is still needed in the reality. All in all, it not only relates to love and individuals in society, but also relates to history and the reality. At this point, the film has been quietly converted a classic love story into a disaster movie cleverly and successfully, which has already corrected the leaning building of traditional morality.
Through a clever time arrangement, Forrest Gump (1994) transforms a national subject is implied in the lives of ordinary people, causing viewers’ deep thinking. Titanic (1997) uses a love story as a clue, through the method of flashback to replay the disaster, inspiring people’s strong resonance for real love and morality. So the re-arrangement of time makes it the narrative time in a film, which is a basis of a narrative, a reasonable time arrangement would make the film unique.

References
Bogue, Ronald (2003). Deleuze on cinema. New York and London: Routledge, 13.

Cameron, J. (Director). (2007). Titanic [Motion Picture]. United States of America. Twentieth Century Fox.

Franecois Jost. (1992).To think about television: acts of the cerisy colloquium. Beijing: CITIC Publishing House.

Gérard Genette's. (1989). Narrative discourse: an essay in method. Beijing: China Social Sciences Press.

He, Z. J. (2001). Analysis on the narrative art of Titanic. Yantai Teachers College Journal (Philosophy and Social Sciences Edition), 2(6): 11-13.

Tzvtan Todorov. (1984). The dialogical principle. Beijing: China Social Sciences Press.

Zhao, L. (2001). Analysis of the symbolic meaning in Forrest Gump. Heilongjiang College of Education, 12 (04): 123-133.

Zemeckis, R. (Director). (2004). Forrest Gump [Motion Picture]. United States of America. Paramount Pictures Corporation & Twentieth Century Fox.

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