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美国好莱坞主流电影发展论文-以伊斯兰人形象为例 [2]

论文作者:www.51lunwen.org论文属性:硕士毕业论文 dissertation登出时间:2014-07-16编辑:felicia点击率:21544

论文字数:10216论文编号:org201407161341286555语种:英语 English地区:中国价格:免费论文

关键词:好莱坞主流电影伊斯兰男人Hollywood cinemamainstream Hollywood cinemaIslamicArabic

摘要:这是一篇美国留学论文。随着经济水平的不断提高,人类的精神文化要求越来越高,在好莱坞主流电影中,刻板的伊斯兰人和阿拉伯人形象已经不能适应电影的发展要求。本文以伊斯兰人形象为例,试图打破不同文化之间的差异性和限制性,以促进文化交流和好莱坞电影文化的发展。

l be seen, discussed and interpreted by a far greater audience than will ever read a play, visit an exhibition or, even, attend a musical concert. As such, the discussion of the influence of Hollywood in perpetuating the particular reality that it wishes to export to its viewers is highly topical and highly significant at any given time. Its power is absolute in American and Western society, forming a billion dollar industry with a level of cultural influence that can only really be guessed at.


In light of the contemporary conflict between Islam and the West, the subject of Hollywood has taken on increasing significance due to the subtle shift in the way in which Islamic men are portrayed on film, facilitating a climate of mistrust that is only to the advantage of bigots on both sides that wish to see a continuation of hostilities between the Middle East and the countries of the West. The terrorist atrocities of 9/11 and the subsequent ‘war on terror’ have necessarily played a part in the burgeoning feeling of alienation felt by Muslims across the world, as the mantel of stereotypical bad guy has shifted to that of the traditional Islamic, Arabian male.


For the purpose of the following study, the dissertation must be divided into sub headings. The first part of the analysis will be primarily concerned with setting a cultural and artistic tone for the discussion, showing how a tradition of misconception has paved the way for a stereotypical filmic portrayal of the Islamic man that is out of touch with reality. This section will be dominated by an extensive literature review that will examine the academic discourse devoted to Islam as well as Western theoretical models pertaining to power and cultural dominance.


The second part of the dissertation will analyse specific Hollywood case studies that depict Islamic men and a cultural ‘other’, which necessitates adopting a similarly chronological approach to cinema as one would to history, so as to trace the evolution of the demonization of Islam in American film. With this in mind, it is prudent to turn attention towards a review of the academic literature available on the subject of Islam in order to forge a better understanding of the intricacies of the broader methodology in question.


Literature Review

Due to of the primacy of ideology over religion in international relations, little attention has historically been paid to Islam in comparison to, for instance, the study of Marxism. Only when the Cold War had reached its zenith in the late 1960’s did Islam become more academically relevant, particularly so concerning the ultimate victory of capitalism and the related trump card of oil held firmly in Arabian hands.


As the enormous wealth and bargaining power available to oil magnates of the Middle East became apparent, Islam was gradually perceived as a threat in the West, particularly by the large American corporations that had stakes in the oil reserves (many of whom hold the keys to power in the American State in 2005). Although this threat was, at the time, solely of an economic ilk, the significance of the demonization of the Arabian businessman in the broader Western consciousness has had a lasting effect with regards t论文英语论文网提供整理,提供论文代写英语论文代写代写论文代写英语论文代写留学生论文代写英文论文留学生论文代写相关核心关键词搜索。

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