英语论文网

at the root of the recent resurgence in fundamentalism in the Middle East whereby their own misconceptions of the West are far more acute than any hitherto Hollywood portrayals of Islamic men.

The West, particularly the Jews, is portrayed as universally decadent people that are intent on waging a war of annihilation with Islam as a faith, seeking to destroy the people of the region in the process. Moreover, because many of the key Hollywood executives are of Jewish origin, this official school of hatred emanating from strict Muslim intellectual centres further curtails attempts at forging a shared level of cultural comprehension. Moreover, as Saltpetre (2002:2) explains, the increasing reference to the Koran makes extremism seem legitimate in the eyes of God, constituting discernibly dangerous direction for fundamentalism to take.

“Now, with the surge in Muslim fundamentalism, Arab anti-Semitism has returned to the Koran. The Jews are no longer an inferior people that should be kept in inferior status and their lives protected; they are enemies of Islam and must be obliterated.”

It has been seen that literature has historically forged an unlikely and unhealthy partnership with propaganda in both the Middle East and the West, bequeathing an ideal breeding ground for cultural misconceptions with few able to ascertain reasons as to why, as Abdelwahab Meddeb (2003:11) suggests, “the Islamic world has been unceasingly inconsolable in its destitution.”

The sphere of greatest academic advance has not been in the study of Islam or of the effects of depicting the cultural ‘other’, but instead in examinations dedicated to the study of power. Karl Marx (1968:64 65)in his nineteenth century critique of the corrupt power of the media, was the first to recognise the significance of the status quo that had been artificially constructed by the ‘ruling elite’, and which defined power in the hands of a privileged few.

“The ideas of the ruling classes are in every age, the ruling ideas: i.e. the class, which is the dominant material force in society, is at the same time its dominant intellectual force. The class which has the means of material production at its disposal has control at the sometime over the means of mental production… in so far as they rule as class and determine the extent and compass of each epoch, they do this in its whole range, hence, among other things, they regulate the production and distribution of the ideas of their age; thus their ideas are the ruling ideas of the epoch.” .

Marx made these comments in an age that was dominated by print media; what he would have made of the symbolic power and influence of American film in 2005 is an intriguing matter of conjecture. Michel Foucault, writing during the 1970’s and 1980’s, centred his own studies on discernibly postmodern kind of society that had turned its attention away from oppositional forces in society to embrace the concept of thyself. Foucault also sees the modern Western state as an essentially constrictive monolith that restrains people’s choices and minimises individualistic questioning, constituting what he calls; “the microphysics of power.” (1977:26)

In terms of the effe本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。