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有关日本恐怖电影的重塑和发展的留学生本科毕业论文 [2]

论文作者:www.51lunwen.org论文属性:本科毕业论文 Thesis登出时间:2014-08-17编辑:felicia点击率:25445

论文字数:11628论文编号:org201408152155455835语种:英语 English地区:中国价格:免费论文

关键词:好莱坞电影日本恐怖电影影视专业dissertationHollywood horror genrenew audienceAmerican counterpart

摘要:本文是一篇美国留学生影视专业本科毕业论文dissertation。自21世纪以来,好莱电影世界得到了迅速的发展,日本恐怖电影为了迎合观众的口味,被重新购买重新制作,消除了传统的基本历史的局限性,推动了西方世界对电影的认识和理解,满足了西方观众的心理需求,消除了“美国化”的恐惧和恐怖心理。本文简要分析了美国恐怖电影的重塑和发展。

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Chapter Three will be a case study based around Ringu (1998) and The Ring (2002), pointing out the differences and similarities between the two films. Through the use of illustrations I will identify important scenes where Gore Verbinski has either almost copied exactly or drastically altered the shot from Hideo Nakata’s original. I will try to relate my arguments and observations to other contemporary cases of J-Horror remakes, again talking about the cultural differences between the two countries and how in turn that has affected the look and feel of the two films.


Finally I will conclude by looking at the future of remaking J-Horror, highlighting future films in development and how Hollywood is now exploiting new markets. I will summarise my findings from previous chapters and use them to try and predict how long this spell of remaking will last for and if it will continue to be as financially successful as it has been so far.


Chapter One

Categories of Remake

Ever since the early days of Hollywood cinema films have been remade, reimagined and adapted for new, ever changing audiences. In most cases it has proven that if a film was successful the first time round a remake will be equally so. The producer or studio make the decision that the original story is still viable (Druxman: 1975: 13) and can once again make big money at the box office. This has led to this trend increasing rapidly over the last few decades, with fresh new material becoming harder to come by.


Before I go into detail on the types of remakes and how they relate to the current trend of remaking Asian horror, I must clearly define what a remake actually is. A remake is much more than a film based on an earlier screenplay (Verevis: 2006: 1), as it can be broken down into even more definitions. The sequel/prequel, adaptation, homage, reimagining, film series and the retour aux sourced are all a type of remake (Delaney & Potamitis: 2004: 1), with films falling under one of them.


Leitch states that the reason remakes differ so much from other adaptations to a new media is due to the “triangular relationship” (Leitch: 1990: 139) they establish among themselves, the original film and the property in which both are based on. This has come about because typically producers of a remake pay no adaptation fees to the makers of the original film, but instead purchase adaptation rights from the authors of the based on property (Leitch: 1990: 139).


This seems strange as it is the two films which will be competing against each other, often being found side by side on store shelves, and not the original property and the remade film (Leitch: 1990: 139). It is often the case that the original film benefits from the release of a remake, as it brings in a fresh audience who are often interested in watching the original film as well. In the case of Ringu, you can clearly see that the theatrical release of its remake caused its popularity to soar higher than ever before [fig 1.1] (pro.imdb.com).


Many texts have been written regarding the subject of remaking film, and in particular looking at breaking the remake down into smaller more spec论文英语论文网提供整理,提供论文代写英语论文代写代写论文代写英语论文代写留学生论文代写英文论文留学生论文代写相关核心关键词搜索。

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