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留学生影视学专业毕业论文

摘要

本篇论文主要分析全球影迷对邪典电影的热衷和热情，以及对邪典电影的强烈兴趣,本文重点介绍了电影《死亡幻觉》(凯莉:2001)。本文希望通过案例分析深入研究电邪典影，以满足自己的好奇心和对邪典电影解读的迫切希望，了解影迷对于邪典电影的理解水平，以及邪典电影形式该如何展示，如何显现。

通过回顾和研究其他学者在这一领域的作品分析和他们所提出的有关邪典电影的相关理论,可以得出这样的结论，电影作品是多元化文化的集中体现，电影术语“邪典”是一个一致的定义，也体现了文化的复杂性。整篇论文中，以《死亡幻觉》为研究对象，对“邪典“这一定义进行具体的解析说明，并为影迷提供相关的理论。

通过研究分析先前的电影模式和类型，我们可能会产生这样一个疑问：是《死亡幻觉》开创了”邪典电影“的风尚吗?我们可以对《死亡幻觉》电影的特点和影响进行分析，可以调查此部电影的影迷，还可以浏览专门的粉丝网站和粉丝留言板，通过这样形式就能够对此部电影的地位有一个清晰的认识，也能够了解影迷的心理和狂热程度，以便更好地进行电影沟通交流。

Abstract

The following dissertation developed out of an enthusiastic interest in “Cult” film fandom and, in particular, Donnie Darko (Kelly: 2001). The desire to study the film in depth through a case study into its fandom came from my own curiosity and ambition to decipher and understand the level of fandom that surrounds the film, and how that formulated.

Through reviewing and studying other academics work in the field and their own theories on cult films it acknowledged the diverse work when trying to find a solid definition and the complexities that follow the term “cult”. The research was used as the core of my study whilst examining Donnie Darko throughout the dissertation, using the work as not only a definition for cult but also theories on reception and fandom.

.. By looking at the pre release of the film itself and the critical reception that followed an interesting debate is revealed: Was Donnie Darko created to become a “Cult” film? By conducting a study into the critical and fan reception of Donnie Darko it became apparent of the impact this had on the film’s cult status and also of how the cult fandom communities communicate and operate with each other in the form of dedicated fan web sites and fan message boards.

By taking into consideration the various components of Donnie Darko, pre release, distribution, fan and critical reception, the conclusion of how much Donnie Darko can be represented as a Cult film can be found. It is plain to see what impact the internet had on the success of its reception with fans and revivals for re-releases, all of which point to the film being deliberately manufactured to adhere to cult sensibilities.

Introduction

In contemporary film and media there has always been an interest in fan studies and audience reception but there has been limited work on the specific genre of cult fandom and cult films. The research that is already available on the subject of cult films is inconclusive and does not share a common definition of what cult film is. I believe that it is possible to make a structured framework of what makes a film cult from existing research but there is insufficient study in respect of how cult films can be seen to be deliberately made.

It is my hypothesis that film makers now have the knowledge to be able to construct and manipulate their films into gaining a cult audience, and that by researching this it will inform future academic discourse in the area of cult film. This piece of work will endeavour to map out the techniques used to create a cult f本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。