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clude singing, and vice versa. Acting is becoming increasingly important for the opera singer, but is seldom supported by the prerequisites of theatre voice and movement (Melton & Tom, 2003:135). Sê nog iets oor hoekom training belangrik is.

Singing is both a science and an art. Most teachers have at least some appreciation for a scientific singing method and those who don’t often claim to have discovered some long-lost piece of wisdom. This “wisdom” is generally already incorporated in the teachings of a well-trained singer. There are some fads that come and go but a singer with good technique and access to his or her emotions will please any audience and have a much broader career with greater longevity (Brown, 2004: 97-104).

Technique is central to singing opera, but singing is also an art form, and no art form can be realised by the use of technique alone. Merging voice technique, musicality and emotion through competent acting skill is something that must be taught from the very beginning of the Opera Singer’s development of his/her career. This is because, when occupied in the emotion of the moment, the good voice will acquire nuances that are quintessentially important to conveying the emotional elements of the opera and will thus elevate the singer to a higher level of performance and riveting engagement with the audience.

Gebruik onderstaande as daar nog inligting daaroor is, anders voeg saam, PL

Every aspect of the voice, used directly of indirectly affects the whole mechanism. For example alignment and breathing are integrally connected to the performer’s range, resonance and articulation. For this reason, some of the relevant aspects affecting the good voice, will be discussed below.

2.1 Vowel modification

Vowel Modification and Primal Sound

Christy (1961) means that an important criteria for good singing habits is the homogenic shaping of vowels, in other words, they should sound as if they fit together, the vowels must be consistent with each other.

Many professional singers never master the art of even vocal production. This can be ascribed to vocal coaches not fully grasping the concept of vowel placement. When this concept is fully understood it is impossible for a singer to not produce vowels freely and comfortably. In the first volume Christy states that once a single vowel is mastered the singer must focus on uniting the remaining vowels in accordance with that of the first. He means that the different vowels should attain a similar sound without losing its distinctive character. “ …this is another way of saying vowels have to be equalized by having a common, fundamental tonal characteristic.”

The fundamental tone of the human voice is the “huh” sound. According to Christy this sound should be considered the basic reference to vowel placing because the “uh” sound is the most natural sound that can be produced, as the pharynx is relaxed and in its natural position. Oren C. Brown concurs with Christy, but describes the “uh” sound as the “primal sound”:

“Primal sounds are involuntary. They are the sounds you were born with. In 本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。