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音乐文化留学论文-音乐文化的变迁 [5]

论文作者:www.51lunwen.org论文属性:硕士毕业论文 thesis登出时间:2014-08-08编辑:felicia点击率:19929

论文字数:8719论文编号:org201408071314355255语种:英语 English地区:中国价格:免费论文

关键词:音乐付费音乐音乐和娱乐产业Musicfree musicmusicology

摘要:本文是一篇音乐学留学论文。在数字化的时代,音乐的使用、音乐的文化和免费音乐的价值都是极为重要的。过去十年间,音乐产业迅速发展,带来不同的文化体验,下载免费音乐长大的一代孩子仅仅会通过互联网找到他们想要的资源和娱乐内容,认为他们是免费的,他们不能接受这些娱乐方式开始收费的情况。本文主要以免费音乐文化为出发点,分析音乐文化的变迁。

ats and storage devices such as magnetic tape machines, cassettes tapes/players to audio cd’s. After the rubber and shellac records, which were the primary recording medium at the time, a new means for recording came about in 1934/35 when Joseph Begun of Germany built the first magnetic tape machine which was used for mobile radio broadcasting before creating the first consumer tape recorder which provided the ‘3M Company’ with a billion dollar industry.


Magnetic tape machines became very popular storage and recording devices in radio stations and recording studios as they offer higher quality recording and longer continuous playback of recorded material, the most beneficial aspect of the invention of tape was its portability. Eventually two track tape machines were introduced which extended recording possibilities within the studio but magnetic tape was never used commercially by consumers until the release of the first compact audio-cassette tape in 1963 by The Phillips Company of the Netherlands.


With a cheap and easy recording medium such as the cassette tape combined with a cassette tape player, It could be argued that this sparked the ever destructive and ongoing battle of music piracy. Taperecorders/players were sold with built in radios as standard and by the touch of a button it was possible torecord sounds and music straight from the radio. After Phillips had patented the cassette tape in 1965 and decided to make it free of charge all over the world, companies then started to design new portable recorders and players to compliment the compact size of the cassette tape. One of the popular models of tape players was the Sony Pressman which was a monaural tape recorder released in 1977. The next year in 1978 Sony founder and chief advisor Masaru Ibuka requested the general manger of the Tape Recorder Business Division to start work on a stereo based model of the earlier Sony Pressman which birthed the Sony TPS-L2 headphone stereo Walkman in 1979 that would completely change the way consumers listen to music.


'They'll take it everywhere with them, and they won't care about record functions. If we put a playback-only headphone stereo like this on the market, it'll be a hit.'


What made the Sony Walkman such a big hit was the portability that it was offering to its consumers. Ever since the invention of the piano/organ, phonograph, gramophone, record players, wireless recorders and receivers, although, all mediums allowed the consumer to listen to music in various ways, none of which actually enabled the listener to become portable, ‘on the move’ to be able to listen to their material literally wherever they wanted. Recording and listening to music from this point onwards almost became a hobby for a generation of people who would listen to the radio to try and catch their favourite song to record to tape, allowing them to repeatedly replay the material and start a collection of stored music.


Many types of storage formats have been introduced by this point but very few which are truly beneficial to the storage and quality of music mediums. After the magnetic media such as: wire, core memory, drum, card, tape, disk and OM disk came many floppy disk formats which played a great part in early comp论文英语论文网提供整理,提供论文代写英语论文代写代写论文代写英语论文代写留学生论文代写英文论文留学生论文代写相关核心关键词搜索。

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