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在浪漫主义时期(1800-1910)，发现音乐是由格式，流派，音乐的创意进化而来的，这样就建立之前的周期，进一步表达不同形式音乐的艺术。然而，在二十世纪发现好的作曲家的增加，像阿诺德勋伯格,查尔斯·艾夫斯和伊戈尔斯特拉文斯基，他们对世界音乐的贡献带来了动态的变化。在二十世纪，音乐不在约束于歌剧院，俱乐部和音乐会，这个自由带来了新的风格音乐的实验，违背了常规的音乐实践。

在下面讨论前面提及的作曲家的贡献和他们的影响。

阿诺尔德·勋伯格

勋伯格，一个奥地利出生的作曲家，他带来了音乐舞台的发展被广泛地庆祝。从他很小的年龄，他的音乐就充满着丰富的和声，由理查德瓦格纳的歌剧的创新的风格演变而来。他也被记入扩展布拉姆斯的作品。直到1913年，勋伯格正在探索一个新的音乐语言。这个是在1908年开始的，伴随着他的四重奏，他的第一次的两个运动被写在一个复杂的有音调的风格，在这个时期西方音乐的主要组织的原理。然而，伴随着第三次，第四次的运动，勋伯格努力争取对世界的音调说再见，同样的，他倡导一个创新在无调音乐上，这变成20世纪艺术音乐最有挑战的特征。在20世纪20年代，他发展了十二种音调的技巧（十二音技法），这是一个广泛的有影响力的作曲的方法，操作一个有序的一系列的所有12个音符在半音音阶中。他也创造了术语“发展变奏曲”，他是第一个作曲家发现了新的方式去发展基本模式，没有去求助于音调。用这个发现，他工作于使他的音乐的本质变得更加的简单和清楚。

The Romantic Period (1800-1910) saw music evolve from the formats, genres and musical ideas established in preceding periods such and went further in expressing different forms of art with music. However, the 20th century saw the rise of great composers such as Arnold Schoenberg, Charles Ives and Igor Stravinsky whose contributions to the world of music brought dynamic changes. In the twentieth century music was no longer constrained to opera-houses, clubs, and concerts and this freedom brought experimentation with new styles of music that went against the conventional music practices.

Discussed below are the contributions of the aforementioned composers and their influence on 20th century music.

阿诺尔德·勋伯格-Arnold Schoenberg

Schoenberg, an Austrian born composer is widely celebrated for the developments that he brought into the musical arena. His music from his early years was filled with rich harmonies that evolved from the innovative style of Richard Wagner's operas. He is also credited with extending the works of Brahms. By 1913, Schoenberg was exploring a new musical language. This had started in 1908, with his string quartet whose first two movements were written in a complex tonal style -the central organizing principle of western music in that period. However, with the third and fourth movements Schoenberg bid goodbye the world of tonality. As such, he pioneered an innovation in atonality which became the most polemical characteristic of twentieth century art music. In the 1920s, he developed the twelve tone technique (dodecaphony) which is a widely influential compositional method of manipulating an ordered series of all twelve notes in the chromatic scale. He also coined the term 'developing variation' and was the first composer to discover new ways of developing motifs without resorting to tonality. With this discovery, he worked at enabling the texture of his music become simpler and much clearer. The twelve-tone technique in effect provided control over the melodic and harmonic aspects of a composition. Schoenberg's dodecaphony eventually became one of the integral and polemical issues among European and American musicians until late twentieth century. To date, composers have been extending his legacy in increasingly radical directions.

查尔斯·艾夫斯-Charles Ives

Ives, one of the first American composers of international renown combined the American church music with European art music and was among the first composers to engage in a systematic program of experimental music with musical techniques like polyton