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significant challenge to cultural independence, there is something in common between China and Canada. However, cultural trade barrier in China has its own characteristic of great dependence upon numerous and disorderly administration measures, in order to provide impediment to the inrush of foreign core cultural product. China’s cultural controlling measures cover nearly the whole value chains of cultural industries, from qualification examination in advance, content filtering in the process of creation, mass production, distribution to subsequent supervision. One of the aims of controlling is to build a firewall against foreign culture product.The cultural administration is carried out by several Chinese government bodies, such as the Ministry of Culture, the State Administration of Radio Film and Television, General Administration of Press and Publication of China, and the Propaganda Department of CPC. The government bodies function normally only within the range of traditional mass Media, but are incapable of various forms of New Media, e.g. microblog. When the traditional media companies turn to New Media increasingly, government’s regulation falls into straitened circumstances, indicating the limitations of cultural trade barrier.When US government prosecute China against its measures affecting trading rights and distribution services for certain publications and audiovisual entertainment products, it is obvious that the best way of protecting domestic culture should be the further development of domestic cultural industries, in view of limitations of cultural trade barrier.This paper try to conduct the research into inefficiency of cultural trade barrier by multi-disciplinary model, and manage to depict the structure of international trade in books, Artistic works, film and television, music products with convincing statistical data for the first time in China.

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