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旅游开发管理新模式:screen tourism is a neater way to define the phenomenon

论文作者:留学生论文论文属性:学期论文 termpaper登出时间:2010-11-27编辑:anterran点击率:7274

论文字数:5698论文编号:org201011271330136483语种:英语 English地区:中国价格:免费论文

附件:20101127133013754.pdf

关键词:screen tourismphenomenon visitors

screen tourism is a neater way to define the phenomenon

(see also
OlsbergjSPI, 2007). This paper contributes to the understanding of
the subject by using a structural equation modelling approach to
explore some of the www.51lunwen.orgissues induced by an evaluation of visit experiencesand the perceived likelihood of repeat visits, generatinga range of widely applicable implications for screen tourism destinationmanagement and development. Specifically, the paper
utilises the findings of empirical research at a micro-level on screen
tourists to explore three areas of enquiry. First, the degree to which
people are attracted to a location through film connections and the
type of visits that emerge from investigative study are explored.
Second, the nature of visit experiences is analysed, allowing some
consideration of emerging issues for both visitors and the destination.
Third, the visitor propensity to return on a future visit is
examined. The geographic focus of the research is the Isle of Mull,
Scotland, the filming location for the children’s TV show Balamory.
The paper provides an update to an earlier paper published in
Tourism Management (Connell, 2005a), which discussed the perception
of impacts by the tourism business community on the
Island, indicating that the study of visitor perceptions would form
a useful future area of inquiry in order to more fully understand the
screen tourism phenomenon. Balamory, while a children’s show, is
a key production to study due to the unprecedented increase in
visitor numbers that it created, which has now been acknowledged
nationally in UK Film Council sponsored research (OlsbergjSPI,
2007).
2. A developing research agenda
By means of a brief introduction to the research context of
screen tourism, it is apposite to highlight the major themes within
the tourism research literature, which demonstrate the significance
of screen tourism and the need to recognise the implications
of associated activities. Studies of the relationships between film,
TV and tourism are relatively new, and in development mainly
since the early 1990s given the growing recognition of screen
tourism as an identifiable phenomenon. The major themes are as
follows:
2.1. Identification of screen tourism activity
The earliest screen tourism studies (see Butts, 1992; Riley & Van
Doren,1992; Riley et al.,1998) established the existence of this form
of tourism, highlighted relevant issues and initiated further research.
More recent research highlights the occurrence of screen
tourism through case examples throughout the world (Beeton,
2005; Mintel, 2003). Initially, most screen tourism research focused
on activity in USA, UK, New Zealand and Australia, although research
activity has widened to mainland Europe and Asia, reflecting
the spread of the phenomenon.
2.2. Impacts of screen tourism on host destinations
The emphasis of a great deal of screen tourism research to date
lies within the cluster of research focusing on destination impacts.
Central to this strand is the principle of managing destination impacts
to gain maximum economic benefit while minimising cultural
and environmental damage, community disturbance,
disruption of longer-term tourism products and markets, and resident
well-being (see Beeton, 2005, 2004, 2001; Connell, 2005a,
2005b; Croy and Walker, 2003; Hud论文英语论文网提供整理,提供论文代写英语论文代写代写论文代写英语论文代写留学生论文代写英文论文留学生论文代写相关核心关键词搜索。

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