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论文作者:英语论文论文属性:本科毕业论文 Thesis登出时间:2012-04-05编辑:lena ding点击率:9359
论文字数:2076论文编号:org201204051100338268语种:英语 English地区:法国价格:免费论文
关键词:Absurdirrationalplotstagedilutelanguage
摘要:20世纪50年代初期,荒诞派戏剧兴起于西方。它产生于二战之后的法国,而后流行于许多西方国家。作为法国的一个重要的戏剧流派,它以离奇怪诞的舞台艺术形式和令人迷惘难解的主题使观众为之倾倒着迷。其主题多是表现在一个没有理性、道德沦丧、物质膨胀的社会中,人类的生存是荒诞的、无理性的。荒诞派戏剧作家摒弃了传统现实主义的表现手法,代之以非理性的、反逻辑的表现手法,使荒诞派戏剧成为一个极具特色的流派。
An absurd plot, anti-rational structure
Traditional drama, a coherent plot, the order of the development of the incident follows the logic of the real-life, dramatic plot to have a strong sense of dramatic conflict, the theater of the absurd to break the law, the causal relationship between the narrative become absurd patchwork of formal the absurdity of the world, life's worthless meaningless naked show to the audience. No story in the theater of the absurd plot, no development, there is no ending, Beckett's "Waiting for Godot" is significant cases. Its performance is "nothing happened" absurd situation throughout Godot does not appear, in itself is absurd. Play description of two tramps in the wilderness waiting for strangers people Godot, in the process of waiting for them with disorganized nonsense, doing extremely boring action, waiting does not come, they attempted to hang himself, finally forced to continue the endless Waiting for Godot to save them. This drama has no plot, no conflict, only a disorderly dialogue and absurd episodes, still nothing has happened state performance of the mental state of meaningless state of existence and emptiness, the performance of the human sense of emptiness and hope that the emptiness .
The absurd plot echoes the anti-rational structure. Abandoned the traditional theater of the absurd drama in real life and rational logic-based structure and replace them with non-rational, anti-logical structure, and form their own unique construction principles. "Waiting for Godot" for example. This work is typical of the repeat loop structure, the second act is basically a duplication of the first act, the same characters, same lines of dialogue but say as well as the sequence of events is different. Repeat the dramatic content, scenes, plot fragments fully reflects the absurd and meaningless existence, the nothingness of life and the lack of progress change boring and bored people, the world has lost vigor and vitality of people no longer yearn, thereby effectively strengthen the sense of absurdity, to express a tragic atmosphere. In the play, "Waiting" is the main theme of this waiting for the endless cycle, the end of the play is still no result, little hope of waiting for. Repeat the cycle of the end of the play there are many details to strengthen the sense of a static, such as fiddling with a hat and boots, Bozhuo command small for gestational age for a while to pick up this moment to lay down that such as a simple repetition of mechanical movements, and they over and over to repeat the story of life one hundred bored interpretation, the performance of the machinery of human life, stereotyped.
Second play down the role of language dialogue
As the most direct form of expression of the drama, the language used in a traditional theater to create conflict, shaping the character, soul and body of the drama. The theater of the absurd is the language of bottoming out, it is no longer a drama its most basic form, but a lot of drama factor a. The Younie Basescu stressed that all language in the drama: lines, action, props plot itself, because everything is able to expres本论文由英语论文网提供整理,提供论文代写,英语论文代写,代写论文,代写英语论文,代写留学生论文,代写英文论文,留学生论文代写相关核心关键词搜索。