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论文作者:www.51lunwen.org论文属性:学术文章 Scholarship Essay登出时间:2014-12-03编辑:Cinderella点击率:7156

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ers pickpockets, peddlers even panhandlers you say: 'I'm cool, I'm no fool!' but then you wind up dropping out of high school now you're unemployed, all non-void Walking 'round like you're Pretty Boy Floyd turned stickup kid, look what you've done did got sent up for a eight year bid now your manhood is took and you're a may tag spend the next two years as a undercover fag being used and abused to serve like hell till one day you was found hung dead in a cell it was plain to see that your life was lost you was cold and your body swung back and forth but now your eyes sing the sad, sad song of how you lived so fast and died so young”


This record allowed the frustration of inner city African Americans to be heard by the world. Even though the popularity of such record grew across the world it would be naive to assume that once the voice was heard the solution was implemented. It did nonetheless succeed in highlighting inequality faced by black Americans, but mainly it focused on the pressures and results of mass poverty.


The formation of this expressive Art gave a unique product to the ghetto, and provided a means to aspire towards success and a channel for creativity. Rap music and Rapping gave black youths something that was their own, it allowed them to express themselves by narrating their stories in a poetic manner. Jade Foster an English language teacher from Washington in an interview conducted by Carolee Walker (2009) said “It is important for young people to know that their stories matter”. Simply listening to the tale from a ghetto raised child teaches him that there is someone there to listen to his call. Speaking and being heard has a profound positive affect on the psyche of human beings. Grandmaster Flash and the message echoed the voice of a collective demographic and consequently raised the spirit of mass populations towards hope and progression.


The following era of rap music (1986-93) is known as the golden era which was highly fuelled by political lyrics and gangster rap from west coast. Groups such as NWA (Niggas with Attitude), Public Enemy and solo artists like KRS-1 grew mass followings from both black and white America. “Flava Flave”, a member of Public Enemy famously wore a clock around his neck on a chain in order to symbolise that the time had come for black America to heard had arrived.


1988 saw the release of the record “Fuck the Police” from NWA which was a response to the alleged mistreatment of black youths at the hands of the west coast police. This later became the anthem and overall theme for the 1992 Los Angeles riots also known as the Rodney King Uprising. This era witnessed major conflict between black civilian and white authority in American – Gangster Rap was not considered to be a legitimate or acceptable artistic expression. NWA saw their record “Fuck the Police” banned in many states and radio channels across the world. It could be argued that that such records and words added to the racial divide in America, yet if scrutinized the majority of Gangster rap’s aggression is directed towards social reform and the ill t论文英语论文网提供整理,提供论文代写英语论文代写代写论文代写英语论文代写留学生论文代写英文论文留学生论文代写相关核心关键词搜索。

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