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fashion and culture assignment [3]

论文作者:www.51lunwen.org论文属性:作业 Assignment登出时间:2014-12-12编辑:Cinderella点击率:6145

论文字数:2786论文编号:org201412112250057188语种:英语 English地区:美国价格:免费论文

关键词:fashion industrydesignstitching technologies时尚

摘要:本文介绍了随着工业革命的到来和科学技术的进步,20世纪全球流行的时尚现象。

the 1970’s (Ministry of Rock, 2010). Once, however, media attention was grabbed, the Punk rose to great heights with crazy bright colors and spiked hair becoming a common sight. However, as it is with any fashion, the sight became too common to appeal to the public. It was then that a need for a different style statement and trend was recognized by the people. This period witnessed the growth of cults and half punks in an attempt to establish a new fashion trend. Both genders embraced Dr Marten’s shoes in 1980’s and were an essential fashion accessory for the skinhead and punk subcultures in Britain (Jennifer Craik, 2005). Sometimes Dr. Martens were paired with miniskirts or full, Laura Ashley- style dresses (Pauline Weston Thomas, 2010). They were an important feature of the post-punk 1980s Gothic look which featured “long, back-combed hair, pale skin, dark eye shadow, eyeliner, and lipstick, black nail varnish, spiked bracelets and dog-collars, black clothing, often made of gabardine, leather or velvet trimmed in lace or fishnet material” (Pauline Weston Thomas, 2010). Corsettes were often worn by girls (Dave Rimmer, 2003). Several British bands remained loyal to Gothic culture include The Cure, Siouxsie & the Banshees, and The Cult (Dave Rimmer, 2003). At the same time, however, it was observed that ever since the start of Punk fashion there existed a niche of effervescent, energetic, flamboyant group of posers who put clubbing and good dressing at the centre rather than engaging in anarchic acts. Philip Sallon, George O'Dowd, Steve Strange and Chris Sullivan were amongst the earliest most notable posers (Steve Strange, 2002). Although initially these trendsetters and early fashion icons labeled themselves as Blitz Kids (after a famous club), the media soon started calling them the New Romantics (Steve Strange, 2002). Blitz is noted for honoring Bowie nights where ‘Ashes to Ashes’ symbolized the anthem (New York magazine, 1982). The Blitz Kids consisted of Tony Hadley, Gary Kemp, Steve Norman, Martin Kemp and John Keeble who eventually came together under the umbrella of the band Spandau Ballet as shown below:

 

The main distinction between the New Romantics and its predecessor (the Punk) then became focus on glamour and looking good in the latter, a reflection of softer, more fragile, self-conscious attitudes contrary to the violent, anarchic and crude culture portrayed by Punks. The New Romantics came to be known for their anti-Punk attitudes as they replaced sloppiness with sophistication and classiness, vulgarity with gracefulness, dressing down with dressing up. The new movement under New Romantics gained momentum in a matter of few years largely because the media was already craving for a break from the Punk fashion and wanted a new topic for publicity. The New Romantics therefore is largely credited for the fact that it bought media under substantial control which eventually led to the outbreak of a new generation of fashion magazines such as i-D which gave due popularity to club culture (John Peacock, 1998).

 

The trendsetters in the New Romantic group paid more attention to the sartorial aspects of fashion rather than sternness of the Punk. The entire look was personalized, themes based on fiction were chosen and Hollywood glitz and g论文英语论文网提供整理,提供论文代写英语论文代写代写论文代写英语论文代写留学生论文代写英文论文留学生论文代写相关核心关键词搜索。

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