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ty pertaining to the Punk movement. While the Punks protested against the harsh realities of youth life in British council estates, the New Romantics rejoiced glamour and luxury at London’s nightclubs (Christopher Breward, 2003). The make-up was stark and heavy. Leigh Bowery who was a the host of a designer club and known for her eccentricity in fashion design became an inspiration for performers such as Boy George and earned himself a reputed name as far as underground music performances in clubs is concerned. (Christopher Breward, 2003). One of the first designers of the New Romantic era was Vivienne Westwood who was known catered to famous bands of that time including Adam and the Ants and was known for her pirate- look designs (Christopher Breward, 2003). The pirate look included “luxurious, full-sleeved, frilled buccaneer shirts. Hussar-style jackets with gold-braiding were worn with the shirts alongwith high-waisted, loose trousers which narrowed at the ankle” (Dave Rimmer, 2003). Short shirt collars worn unfolded against the neck with the top one or two buttons unfastened was a fashion credited to this era which continued to be followed for several years.(Tom Tierney, 1998). Except for traditional societies, the fashion was accepted by both genders as part of casual clothing. Folded collars were seen as gauche except in the case of professional clothing (John Peacock, 1998). Leggings were also very popular (John Peacock, 1998). The movement’s reason for existence was to display grandiosity in attitudes which manifested itself in Technicolor sleeve art and extraordinarily striking shoot locations (R Foster, 1962). Pink and reddish, pansticked face painting was adopted alongwith peroxided puffed hair and fringes drawn to one side of the face were hallmarks of this movement (Pauline Weston Thomas, 2010). The styling tended to display a fine blend of both an elitist and a commoner image. The movement also draws major features from the French eclectic revival which was seen in paisleys, brocade with extravagant use of silk, satin and velvet fabrics.

 

Conclusion:

To conclude, the two movements have been starkly different than similar in that the attitudes underlying them were poles apart; the Punks denoted the careless, untidy, rebellious, frustrated and agitated youth whereas the New Romantics was a reflection of a soft, brighter, more organized, contented and civilized youth. The transition from the Punk to the New Romantics signified a revolutionary change in fashion history, a change in attitudes, values and beliefs of the people. Such changes are not new in fashion history as Henry David Thoreau (1817-1862) puts it, “Every generation laughs at the old fashions, but follows religiously the new”.

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