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Chinese version chosen by Giles has the phrase “十七史”, but the Chinese version chosen by Zhao Yanchun is “古今史”. The Chinese version chosen by Giles has the phrase “尔幼学，勉而致”, but Zhao Yanchun’s version does not have the phrase. So this part will not be analyzed. And the additional parts chosen by Zhao Yanchun are not included in the comparison and analysis. The content of the Chinese version chosen by Zhao Yanchun contains the content of the Chinese version chosen by Herbert Allen Giles in general. In the Three-Character Classic, there are a lot of typical phrases from Chinese culture, for example, the names of famous Chinese people, the names of the subjects and the names of Chinese classical works. 
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Chapter Two Translation of Beauty in Sound .........28 
A. Xu Yuanchong’s concept of beauty in sound ......28 
B. Translation in rhythm: a recall of beauty of life ............29
C. Translation in rhyme: reproduction of musical beauty ............34
Chapter Three Translation of Beauty in Form ........38 
A. Xu Yuanchong’s concept of beauty in form ........38 
B. Translation in line arrangement: respect to the source-text poet .......38 
C. Translation in line length: rebuilding of linear beauty ............41 
D. Translation in punctuation marks: variation of feeling ............44 

Chapter Three Translation of Beauty in Form 

The  Three-Character  Classic  is  very  neat  in  form.  There  are  only  three  characters  in each  line.  The  language  of  the  text  will  sound  more  musical  and  rhythmical  through  the structured form. Combined with short lines and rhymes, the text is more easier and attractive for  readers  to  read.  Firstly,  Xu  Yuanchong’s  concept  of  beauty  in  form  will  be  introduced  in this chapter.  

A. Xu Yuanchong’s concept of beauty in form 
In the theory of three beauties, the beauty in meaning is in the first place, and the beauty in  sound  is  in  the  second  place,  and  the  last  one  is  the  beauty  in  form.1  So,  the  beauty  in meaning,  the  beauty  in  sound  and  the  beauty  in  form  are  not  equally  important.  If  the translators have achieved the beauty in meaning, they can pursue the beauty in sound. If the translators have achieved both the beauty in meaning and the beauty in sound, they can pursue the beauty in form. The translators should achieve the three standards in order. Reproducing the beauty in meaning, the beauty in sound and the beauty in form will make the translation perfect.  Wang  Rongpei  believes  that  if  a  translator  wants  to  give  the  readers  a  vivid impression  of  an  original  poem,  the  translator  should  try  his  best  to  keep  the  original  style. That  is  “translating  poetry  into  poetic  form”.2 &nb本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。