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戏剧翻译中异国情调与可接受性的平衡 [3]

论文作者:www.51lunwen.org论文属性:硕士毕业论文 thesis登出时间:2017-12-07编辑:lgg点击率:1388

论文字数:36521论文编号:org201711301517405559语种:英语论文 English地区:中国价格:$ 66

关键词:英语语言学论文异化归化《天边外》

摘要:本文是英语语言学论文,本文以归化与异化两种翻译策略为理论框架,从语言和文化两方面因素着手,对尤金·奥尼尔《天边外》两个汉译本进行对比分析,对两位译者在译文中是如何体现“异国情调”与“可接受性”的平衡以及译者所采用的翻译策略进行阐述。

epresentative of literal translation in the East Jin Dynasty. Thetheory of loss of meaning in five cases and three kinds of difficulties in translation(五失本,三不易). ―Loss of meaning in five cases means that there are five kinds of thesituations of the translated-text deviates from the original text. It is necessary to decorate ordelete the original text for catering the need of reader.(Luo Xinzhang, ChenYingnian,2009:25) To avoid the loss of meaning, Dao An advocates the literal translatingmethod. ―Three kinds of difficulties in translation mentions that three kinds of difficultieswas proposed, especially the ancient proverb should be able to adapt to modern language.(Ibid:26)
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2.2 Studies on Foreignization and Domestication abroad
In the west, the dispute between the foreignization and domestication (literal and freetranslation) has undergone several times in history and the different translation theorist orscholars who has given their pReference in the choice of translation strategy.The distinction between the literal and free translation goes back to Cicero (the firstcentury BCE) and St Jerome (late fourth century CE). Cicero is the first one to offer hisviewpoint in this aspect. In his article of De optimo genere oratorum (the best kind oforator), he outlined his approach to translation as follow:I did not translate them as an interpreter, but as an orator, keeping the same ideas and the forms, or as one might say,the  figures‘ of thought, but in language which conforms to our usage. And in so doing, I did not hold it necessary torender word for word, but I preserved the general style and force of the language (Cicero 46 BCE/1960 CE: 364).According to Cicero, he disparages the word for word translation and seems to supportthe free translation, later this kind of views was advocated by Horace. He underlines thegoal of producing an aesthetically pleasing and creative text in target language in hisfamous passage from his Ars Poetica (arts of poetry). Both of them upheld the creativetranslation and encourage the translator sticks to translate sense for sense (free) instead ofword for word (literal).
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Chapter Three Theoretical Framework ......... 19
3.1 Introduction to Domestication and Foreignization............ 19
3.1.1 The Definitions of Domestication and Foreignization .... 19
3.1.2 The Strategies of Domestication and Foreignization ...... 20
3.1.2.1 Close to the reader of the target text....... 21
3.1.2.2 Close to the original writer............ 21
3.2 Literal Translation and Free Translation ......... 22
3.3 Summary ............ 22
Chapter Four Drama and the Balance of Drama translation .......... 23
4.1 Introduction to drama and Drama translation........... 23
4.1.1 The Definition of Drama .... 23
4.1.2 The Requirements of Drama Translation ...... 25
4.2 The Balance of Drama translation.......... 26
4.3 The importance of keeping the Balance of Drama translation ............ 31
4.4 Strategies of How to Achieve the Balance of Exoticism and Acceptability ....... 32
Chapter Five A Case Study of Two Chinese Versions of Beyond The Horizon .......... 35
5.1 Introduction to Beyond the Horizon ....... 35
5.2 Comparison between the two Versions in Exoticism and Acceptability ...... 36

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