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“Chinese Cultural Revolution” (1966-1976) brought many people distresses and disasters. So many writers examined and reflected on it, and developed dozens of literary phenomena, such as “scar literature” and “retrospection literature”, resulting in the complexity of “Cultural Revolution” writings in today’s literary circles in China. This paper mainly starts from works of two female writers, Geling Yan and Lillian Lee. Through comparisons of their creation background and writing techniques, it discusses feminist consciousness in female authors’ works of the same period.

“中国的文化大革命”（1966-1976年）带来了许多人的祸患和灾难。因此，许多作家审议并反映在，并开发了数十种的文学现象，如“伤痕文学”和“反思文学”，在“文革”的著作，在当今中国文艺界的复杂性。

Chapter 1 Historical background of Yan and Lee
1.1 Yan and Li's different life during China Culture Revolution.
Chapter
2 “Women” and “Sex” in Yan and Lee’s cultural revolution themed novels
2.1 “Women” and “sex” in Yan’s novels
2.2 “Women” and “Sex” in Lee’s novels
2.3 Literary Evaluation
Chapter 3 Writing Style Analysis from a Linguistic View
3.1 Linguistic Devices in Yan's and Lee's Writing
3.1.1 Lexical Features
3.1.2 Semantic Features
3.1.3 Stylistic Feature
3.2 Social Elements' Role in Yan's and Lee's writing
3.2.1 Social Elements' Role in Yan's writing
3.2.2 Social Elements' Role in Lee's writing
Chapter 4 Conclusion and Further Discussion 

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