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论文作者:代写留学生论文论文属性:硕士毕业论文 thesis登出时间:2011-05-12编辑:zn1987点击率:4469
论文字数:4745论文编号:org201105121212179324语种:英语 English地区:加拿大价格:$ 66
Why do People Enjoy Horror Films
Introduction:
As the advent of new technology, filmmakers are bringing uglier and more violent scenes代写留学生论文 to the modern horror films. However, graphic violence has not always been so central to horror films. In order to explain this evolution, we have to understand the nature of horror films. In horror films, horror narrative works with graphic violence to induce frightening entertainment, (相同课题)audiences enjoy horror films because the disgust and violence can draw their sensational involvements. On the one hand, the audiences fascinate the suffering of the victim; on the other hand, they prefer her or his bodily ruination. Thus, it seems reasonable to hypothesize that the major source of sensation seeking with respect to the horror films is more related to graphic violence than horror narrative. However, horror films depend fundamentally upon the audiences’ responds to cultural relevance which contributes by horror narrative. If we can deduce that audiences actually can be frightened by something without cultural relevance, then we can explain why horror narrative became less important, and graphic violence occupies the center stage in modern horror films. In this essay, I am trying to answer two questions. Why audiences want to be frightened? And how can audiences be frightened by what they know do not exist? Therefore, my research is to demonstrate that: graphic violence is important to generate sensational involvement; the unreality offered by graphic violence can enhance the frightening entertainment of horror films. Because of these two reasons, the graphic violence in modern horror films will continue to expand.
Body:
At first, frightening entertainment in horror films is based on the cooperation between horror narrative and graphic violence. Audiences spend two hours sitting in the dark cinema for the frightening entertainment of horror films, these films have unanticipated narratives and scary scenes that recreate the environment of sheer fright. After audiences walk out the cinema, ask them about the horror, almost invariably, they will tell you the story. This doesn’t mean that audiences are unaware of the significance of cinematography. Rather, narrative is the primary channel through which frightening experience is filtered.
Horror films have “suspense tension-resolution” narrative pattern to induce fright: a monstrous threat is introduced into a stable situation; the monster rampages in the face of attempts to combat it; the monster is destroyed and order restored (Tudor, 1989, p.108). Within the order-disorder-order, narrative works at both macroscopic and microscopic levels. In macroscopic level, an overall rise will go through the whole narrative. In macroscopic level, it is composed of a series of shorter sequences of events, each draws further into the growing tension and unexpected shock. There are two narrative strategies: the development of suspense, which depends on predictability in the sense of our expecting something to happen but not quite knowing when; and the use of shock, which achieves its aim by its very unpredictability (Tudor, 1989, p.107). In early onset scenes, suspense and tension accrue as the audience is made aware that the monster is stalking an innocent, oblivious victim. Or, if the monster's prey is appraised of looming dangers, tension may be provoked as the monster begins to chase its fleeing victim. Moreover, suspense and tensi本论文由英语论文网提供整理,提供论文代写,英语论文代写,代写论文,代写英语论文,代写留学生论文,代写英文论文,留学生论文代写相关核心关键词搜索。