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s, is a voluntary choice. Here comesthe second difference between performance and performativity. For Butler, gender tosome degree is normative. She locates the construction of the gendered, sexed,desiring subject within the “regulative discourses”, which she borrows fromFoucault’ s Discipline and Punish. For Foucault, subjectivity is a discursiveproduction and we are gendered through the power of regulated and regulatorydiscourses (Barker 291). She accepts his argument that discourse operates as anormative regulatory. The regulatory discourses force the subject to perform thespecific stylized actions. Those who could obey the conventions and act within therules are socially approved. Those, who do not, would be considered to be perverseand get punished.
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Conclusion

The masculine female, feminine male image and cross-dressing image in KatyPerry’ s music videos are studied as the subversion to the traditional gender image.When one is born into this world, he is told that he is a boy or she is a girl. Thenthey are separately told to behave appropriately. Men are supposed to be strong,adventurous, independent, rational and self-sufficient. They are expected to be theleader both in the society or in the family, and then naturally to accomplish greater achievements than women. On the contrary, women should be fragile, passive,emotional and timid. They are confined to the patriarchal work of domesticity andbeautification. Such stereotypes could be very harmful to the personal andprofessional growth. And the subordination of women has been critiqued by thefeminists.Feminists argue that gender roles are not determined biologically, but sociallyconstructed. And they also oppose the stereotyped concept that women are inferiorthan men. In this paper, masculine female image in Katy Perry’s music videos isexplored to illustrate that gender is not innate or unchangeable, but it is a dynamicsystem, based on which the stereotyped femininity could be undermined. In hervideos, women are portrayed as the ruler, the controller and the fighter. They are theruler who has the absolute power over men; the controller who could take theinitiative in a relationship and control their own fate even in the adversary situation;and the fighter who resorts to set women free from the control of men. All womendepicted here do not conform to the traditional gender roles. Moreover, they arebestowed with the positive characteristics which are supposed to be owned by menexclusively. Here women are not weak or fragile any more, but psychologicallyaggressive, intellectually rational and interpersonally dominating. In a word, Perrydepicts women who do not exhibit the traditional gender roles or characteristics. Bypresenting these unconventional female image, Perry tries to subvert the traditionalfemale image.
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References (abbreviated)
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