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storage and faulty care. Delicate collectible items such as art glass, pottery and figurines require specific measures to be taken in order to keep them in pristine condition. Fortunately that is not hard to do with the correct information. It is best to keep glass artwork out of direct sunlight. Exposure to direct sunlight over an extended period of time can fade or alter the color applied to the glass. To clean dust off of a glass work, be sure to handle the item with latex or vinyl gloves, and use a soft bristled brush (such as a cosmetic brush). Another extremely helpful method is to use a can of compressed air to remove dust and impurities. In order to minimize exposure to dust, use a superior method to store art glass. An enclosed curio cabinet or china cabinet is preferred over using open wooden shelving or other unstable, organic materials that are prone to off-gassing (Conservation Research Laboratory).

The discovery of glass has affected mankind's history and culture immensely. When it was first discovered, it was highly revered -mystical in its transparency and numinous in its versatility. The true art of glass production has lost its cultural significance with mainstream manufacture and factories mass producing everyday items such as newer LCD screens in personal computing electronics, automotive glass, and disposable glass bottles. These items are not made with any sort of personal or cultural touch - they are simply mass produced, consumed, and disposed of. Many do not look twice when encountering a colorful vase or an intricately shaped window, but centuries ago these things would have been highly admired and were symbols of success, wealth, and invention. Fortunately, the ancient traditions of glass making through glassblowing, and to a lesser extent, core-forming, have been preserved and still practiced to this day. Although it is used so much in modern day society and is all around us in every form and shape imaginable, it is preferable to believe that we have not become desensitized to its alluring and enthralling characteristics.

参考文献：——References:

1.Beveridge, Philippa, Ignasi Domenech, Eva Pacual, Eva Pascual i Miro. Warm Glass: A Complete Guide to Kiln-forming Techniques: Fusing, Slumping, Casting.
2.Cummings, Keith. A History of Glassforming. Soho Square, London: University of Pennsylvania Press, 2002.
3.Cummings, Keith. Techniques of Kiln-formed Glass. Soho Square, London: University of Pennsylvania Press, 1997.
4.Frary, Francis. Laboratory Manual of Glass-Blowing. New York, NY.: McGraw-Hill book Co., Inc., 1914
5.Kelley, Stephen J., ed. Standards for Preservation and Rehabilitation. Ann Arbor, MI: ASTM International, 1996.
6.Macfarlane, Alan and Gerry Martin. Glass: A World History. London, UK: University of Chicago Press, 2002.
 Stern, E.M., Toledo Museum of Art, ed. Roman Mold-blown Glass: The 1st Through 5th Centuries. Toledo, OH: L'erma di Bretschneider, 1995. New York, NY: Lark Books, 2005. 7.'All entries Alphabetically'. GlassFacts.info: A Daily Dose of Glass Art Knowledge.
8. Various dates given.<
9.'Art Deco Glass: Preservation of Historic Pigmented Structural Glass (Vitrolite and Carrara Glass)'. Old House Web. No date given.<

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