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1.0 Introduction

French film theorist André Bazin's "Paragraph lens" theory of neo-realism film technique and aesthetic ideas to promote the film later theorists, whether in film narrative, montage editing, photography, performance, resulting in the structure of the theater scene are the emergence of new arguments and perspectives. The most obvious is the French film theorist André Bazin's "Paragraph lens" theory (a long shot theory, which is against the single-lens clips, and argues, as some neo-realism films as more a "paragraph" 英国艺术类课程作业or a scene as a clip unit). In his view, only this editing method is more compatible with life.

2.0 Bazin's theory of long lens
3.0 Bazin's theory is mainly manifested in two aspects

3.1 First, the "asymptotic line of the film is realistic"
3.2 Second, the scene of scheduling theory
4.0 Conclusion
Reference:
Andre Bazin, June, 1967. What is Cinema? University of California Press.本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。