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论文作者:www.51lunwen.org论文属性:课程作业 Coursework登出时间:2014-06-11编辑:lzm点击率:17298
论文字数:7676论文编号:org201406111951272655语种:英语 English地区:中国价格:免费论文
关键词:Exporting Asian Culture输出亚洲文化film or animationGlobalization and culture全球化和文化
摘要:East and West should abandon the strong and rigid self-identity and a sense of sharp opposition, hostile feeling, full cultural exchange and mutual taking director.
All along, Western films to use the narrative and discourse operations, such as the salvation mode, the tragedy of love mode, super vulgar romantic mode and assimilation mode, in a history of film with one hundred years has interpretation of the stories concerning Chinese people’s images. From Western silent films in the early twentieth century to the contemporary story of the films, Chinas social environment is deplorable, and the Chinese people often lack the basic normal human emotions, cynical demeanor, catchy temperament and metamorphosis, long sleeves, long braids and the "three-inch golden lotus" and the love and marriage patterns of East woman and white man have repeatedly been paraded across the screen and relish. More recent emergence of "Red Corner", "Little Buddha", "Seven Years in Tibet" in the United States with nature of "anti-Chinese", "shame China", due to a deliberate distortion of Chinas national image have been condemned by the international media, nowadays the "veil", " Nanking", "Children of Huang Shi" and other American films are not tortuous to express the Americans’ mentality to save the world.
Western movies are the most important medium of the mainstream ideology in the United States and the Western countries. In the history, Western films with their strong racist prejudices and Orientalist thinking played vanguards to "demonize" China. The West often take out a virtual image of the Eastern world, resulting in the images of the Chinese people have been misunderstood or misread. Behind all this is intertwined with the complex social and cultural psychologies, such as desire, or fear, or hatred, however, the more important is the western mainstream consciousness, especially the important post-colonial theory - Orientalism, provides the ideological and theoretical foundation for the East to "construct" and "image" the West.
In short, the Chinese academic circles are both familiar and unfamiliar with Western films, familiar with the western films soon spread to China, especially since 80s, 90s in the 20th century, the entry of big-budget movie and commercialism in Chinas emergence, the West has the underestimated impact on Chinese peoples entertainment and cultural life. The studies on connotation and extension of the Western films already yielded fruitful results, from the rise of the United States films to the old and new development and changes of the West, from the construction of the mechanism of films t本论文由英语论文网提供整理,提供论文代写,英语论文代写,代写论文,代写英语论文,代写留学生论文,代写英文论文,留学生论文代写相关核心关键词搜索。