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role of painting through almost five decades. His personal writings and responses in interviews are a valuable resource and a record of his artistic intentions, subject methods and his overall questioning of the medium of painting. His work is particularly interesting as it moves between abstraction and figuration and it addresses the merging of painting and technology. Richter also works with paint in an abstract nature where he uses no representational imagery to depict his thoughts. This dissertation will study the artist's developing body of painting and pull out the key questions he asks about painting through painting itself and discuss them in relation to modernism and to the artwork of younger contemporary artists.

The first younger Contemporary painter's work that will be discussed is that of Nicholas May (b.1962. His artwork uses an experimental painterly approach with the paint material. When talking about his work the dissertation will refer to art critic James Elkin and his ideas about the language of painting, exploring what paint can do on a canvas as a material. Whilst analysing May's work it will also relate back to Greenberg's views on modernism and the concepts that have been lost and brought forward into contemporary painting. Another contemporary artist with a similar working method to Nicholas May is the 'John Moore's painting prize 2010' exhibitor GL Brierley. Through Comparing his work to May's and referring to modernist concepts this dissertation hopes to achieve an understanding of how these painters works fit into the art world today.

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Contemporary artist Carrie Moyer's work is similar to Nicholas May as it contains alchemic experimental elements, flatness of the picture plane but graphic elements suggest her influence from the digital, she studied graphic design as an M.A. influences from that but later took a painting course MFA. Her use of glitter. Feminist writings interested in female artist today. Fiona Rae's painting will also be of interest. Paintings are influence from the digital, Use of Photoshop to create paintings.

Discussing the questions formed by these artists' creative intentions, subject methods and sources of painting will form a discussion on the status of abstract painting and the artist in society today.

Looking at how abstract painting was defined during the modernist era and how it has progressed over the years to present day. The following chapter will discuss where abstract painting came from and the ideas and theories of Clement Greenberg.

Chapter One: Greenberg's Theories on Modernism.

Clement Greenberg sets out to define the importance of abstract art in his first manifesto written in 1936 for the magazine The Partisan Review entitled ''Avant-garde and the Kitsch''. Here he discusses for the first time concepts behind the modernist art movement. Greenberg viewed western painting up until the early 19th century as limited. The works had become stagnated and weren't moving forward, they were stuck using the same techniques and form. They used skills in perspective and chiaroscuro to form deceptive illusionistic realities on the canvas. As impressive as this was as a technical 本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。