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论文作者:www.51lunwen.org论文属性:学术文章 Scholarship Essay登出时间:2014-11-27编辑:Cinderella点击率:16692
论文字数:7000论文编号:org201411182106025616语种:中文 Chinese地区:美国价格:免费论文
关键词:colorculturesymbolic色彩建筑艺术美国论文
摘要:红色代表激情,紫色代表神秘,绿色代表和平,白色代表纯洁。颜色可以转换气氛与情绪,从古历史时期就被广泛运用。本文探讨了颜色背后的文化含义与象征意味,尤其是对色彩在建筑物中的运用进行了研究。
Light, in various wavelength and brightness, enters our eyes through a transparent outer covering, called the cornea. The received light then will be focused on the back of the surface of the eye. The back of the eye is covered by the retina, which contain many layers of cells. The layer which is important in colour vision consist two receptors called rods and cones. Rods enable us to see black and white visions in dim light, while cones enable us to see hues under brighter lighting condition. Hence, through these series of mechanisms, we are able to see colour.
An observation of how light affects the colour perceived by human eyes has been done by the French Impressionist, Claude Monet, in creating his works. In the creation of his works, Monet often painted the exact same scenes, such as haystacks and cathedral’ face, under different lighting condition. Once, he rented a room opposite Rouen Cathedral and spent months there painting the cathedral in different times of the day. It appeared that in full midday sunlight , the facade of the building is washed with gold colour and a slight blue shadow. While at sunset, the surface is coloured pale bluish pink, with lots of oranges and reds in the building’s recesses.
Paintings of Rouen Cathedral by Monet.Monet is not the only one who was in search of finding the explanation behind the role of colour in human’ visual perception. Many theorist and authors, spent years researching in order to gain more knowledge about the relation between to assist them in the usage of colour. Their curiosity brought them to a series of experiments in order to find explanation on how colours affect our vision. The studies include examination on the mechanism of eyes and the colours perceived, which also brings about the role of light in affecting the appearance of colours.
The first manifesto closest to colour theory was created by an ancient Greek philosopher named Empedocles. He concluded that it is the eye of the observer which perceived colour and that colour is not a property of the object being observed. This idea had been evolving along with the discoveries by other people, such as Aristotle. Aristotle, another Greek philosopher, assumed that the colours were formed by the blending of sunlight, light, fire, and the lack of light in various degrees. The development was continued afterward with people from different backgrounds, such as theorist, authors, and physicist. Some of these people are Sir Isaac Newton, Johann Wolfgang von Goethe, Albert Munsell, Johannes Itten, and Joseph Albers. Each contributes to the knowledge of colour we use nowadays.
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