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艺术家作品中的流行来源

艺术家和作曲家在作品中使用了流行的、民间的和“原始”的作品，他们为什么要这样做？启蒙的原则决定了艺术的认识，在十九和二十世纪欧洲文化艺术的绘画和雕塑构成。对此许多艺术家和作曲家把来自外界的影响当做偏离了这一认识以颠覆和反对艺术的学术传统，并开始在媒体工作，从而远离美术纳入意识形态的不同文化。

浪漫主义运动随后的启示表现出怀疑和憎恨工业化，推动回归自然。他们对社会主义的兴趣，对资产阶级的文化和道德规范的不喜欢。对逻辑与理性的不信任，对唯物主义概念的批判，他们渴望回归精神价值。为了传达这些价值观的现代主义艺术家的一天远离美术的学术传统，走向一个更原始的文化，并强调了信仰，现代社会已经受到清教主义，并失去与自然的联系，会有严重的后果。

启蒙思想家Jean-Jacques Rousseau (1712-1778) 是第一个去思考人与自然关系分离会产生的负面影响以及探讨了“高贵的野蛮人”在概念方面这一理论。这一理论重视的是原始人的本能行为。有了“认得本质是不错的€|，他是通过社会才变得邪恶和堕落的”这个理论，卢梭激励出了现代主义艺术家的反应。这个最初发生在浪漫主义时期，进一步发展到十九和二十世纪。

随着殖民主义的大量“部落”或“原始”艺术的收集并带回欧洲的行为出现，突出了不文明的“原始”文化是为了证明殖民主义的意图。

艺术家作品中的流行来源-Popular Sources In The Work Of Artists Art Essay

In what ways have artists and composers used popular, folk and 'primitive' sources in their work and why should they have done so? Enlightenment principles dictated the recognised understanding of art in 19th and 20th century European culture as fine art constituting of painting and sculpture. In response to this many artists and composers took influence from outside sources, which diverged from this understanding in order to subvert and oppose the academic traditions of art and began to work in media, which moved away from fine art and incorporated ideology from different cultures.

The Romantic Movement, which followed the Enlightenment demonstrated a distrust and hatred of industrialism and promoted a return to nature, and a celebration of individuality. With an interest in socialism they projected a dislike of the bourgeoisie, their culture and moral code. With a distrust of logic and rationality, and critical of the concept of materialism, they desired a return to spiritual values. In order to convey these values modernist artists of the day moved away from the academic traditions of fine art towards a more 'primitive' culture, and highlighted the belief that modern society had been corrupted by urbanism, and by losing touch with nature, there would be severe repercussions for society and humanity as a whole.

The Enlightenment philosopher, Jean-Jacques Rousseau (1712-1778) was one of the first to consider the negative effects that might result from a divorce between man and nature and explored this theory in the concept of 'The Noble Savage,' which valued the instinctive behaviour of the 'primitive' man, 'Man by nature is gooda€| he is depraved and perverted by society.' With this theory Rousseau stimulated modernist reactions, initially in the Romantics and further into the 19th and 20th century.

With the growth of colonialism a vast amount of 'tribal' or 'primitive' art was collected and brought back to Europe with the intention of highlighting just how 'uncivilised' the 'primitive' cultures were in order to justify colonising them. The Museum of Ethnography in the Palais du Trocadero introduced a range of 'primitive' art to the people of France and Europe. With access to works so inherently foreign from the classicised sculptures of antiquity a number of artists found influence in the works they saw there through its spirituality and innocence.

'Primitivism' represented a move away from the materialistic world of 19th century 'civilised' society and