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艺术学课程作业:改革和艺术 [2]

论文作者:www.51lunwen.org论文属性:课程作业 Coursework登出时间:2015-11-24编辑:zhaotianyun点击率:12104

论文字数:3160论文编号:org201511122226389892语种:英语 English地区:中国价格:免费论文

关键词:Christian Reform教会腐败

摘要:本文是留学生艺术学课程作业,主要讲述了欧洲的宗教改革运动和反宗教改革运动。

cism of the sale of indulgences and the Roman Catholic clergy's abuses quickly earned popularity among people, regardless of their social standings and wealth, ultimately giving birth to Protestantism. Martin Luther condemned the sale of indulgences as a violation of the original meaning of confession and penance. Indulgence is the forgiveness of the temporal punishment for sins that have already been confessed. Reformers like Zwingli and Calvin had also commented on the corruptions within Church, but Luther was the one who introduced the radical idea of purifying the Christianity by physically breaking away from the Roman Catholic Church. The Luther's idea spread rapidly throughout the Europe, threatening the Roman Catholic Church's established authority especially in the North.

In addition to being known as the center of the Counter-Reformation, the South of the Alps was known as the center of stylistic development as well. It was the place of passion and innovation with the overflow of new artistic styles eventually giving birth to the Italian Renaissance. The artists from all of the Europe visited Rome and were inspired by the unique Italian styles. Aside from the innovative styles of Italian Renaissance, its content was often strictly religious. The Roman Catholic Church attempted to re-establish the catholic faith among people by regulating the artworks produced. The southern painters were forced to bring back the medieval tradition of producing strictly religious art, branching off into the different direction from the Northern painters.

Scipione Pulzone was famous in Rome as the prototype of the Southern painters during this time period for his strictly religious paintings. The Lamentation, one of his most famous paintings, serves as the prime example of the art commissioned by the Church. Painted in 1592 for the chapel of the Passion of Christ in the Jesuit church of Gesù in Rome, this painting is clearly influenced by the Counter- Reformation in that it demonstrates the new artistic style advocated by the holy council. The Crucifixion of the Christ is the focus of this art piece, drawing viewer's attention directly to the idealistic image of Christ in the center. Like other southern painters during this time period, the artist propagated faith by portraying the lives of saints and Christ in a realistic yet intensely dramatic manner. The careful details, facial expressions, along with the shadows cast on people enhance the lifelike characteristics. The depiction of the folds on people's gowns is also note-worthy. The artist adds details such as 'tears of Virgin, the crown of thorns held by John, and the pallor of the Christ's body' to portray people in a more expressionistic manner. Moreover, the spotlight on the Christ in the center contributes an illusionistic and dramatic element to the painting which counter-balances the painting's realistic image. The light cast on the Christ, in comparison to the dark background, creates almost a theatrical impression. These characteristics represent the style of art in the south of the Alps during this period, also called the Italian Renaissance. 'Catholic Italy and Lutheran Germany shared in a lively commerce...and the art of the sixteenth century in the north manifests the benefit of the exchange.' Although the religious clash tormented the sixteenth century Europe, the exchange of artistic ideas continued to thrive.

In the North, 'the intellectua论文英语论文网提供整理,提供论文代写英语论文代写代写论文代写英语论文代写留学生论文代写英文论文留学生论文代写相关核心关键词搜索。

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