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. Although his influences came from such complicated art movements his early abstract expressionist works are now seen as a for runners of pop art. He was a desperately troubled genius fuelled by the madness of alcohol his life revolved around where his next drink was coming from that even in a culture of depression and prohibition he found a way to remain almost totally inhibriated. Pollock was always striving for perfection a need to be different and this torment can be seen in his works. Jackson Pollock now an independent and troubled man gravitated to New York where his works metamophasised greatly, Perhaps due to pressure of work or maybe the uncertainty of world events or his detonating personal life or maybe just his ever increasing alcohol dependency.

My third and final choice is the amazing artist, architect and furniture designer Marcel Breuer a Hungarian born genius that has inspired thousands (May 1902- July 1981) He both studied and taught at the famous German Bauhaus. The curriculum of which shared elements of craft, technology of industrial production and elements of visual art. Breuer was a pioneer famed for his tubular steel furniture designs. As with many independent and forward thinking minds he felt compelled to leave mainland Europe during the between world war years because of the rise of Nazism, anti Semitism and the general fascist surge. Initially he went to London but after a few years he gravitated to the vibrant and relative safety of New York, it was here that his need for inspiration was fulfilled. He had the ability to make concrete look soft and flowing and gave modernist simple elegant lines a need for beauty in basic simpleness.

In 1908 Mondrian painted 'the red tree' which is part of a set of paintings that depict trees in different ways and angles. The tree is centred in the painting and as was quite usual for him he only used a couple of colours only two or three on his large paintings when I look at the paintings it makes me think he painted in this was to give the feeling of space rather than use the generally accepted aspects of form and distance. But this particular painting is just simply a tree, there is no debate and no need to ponder its inner soul and meaning. But two years later he went back to the painting and sucked all the colour out of it and brought it back to the start to just express himself with just the pure outline of the image I believe this was the start of Mondrian's obsession with line.

红色的树-（1908）——The Red Tree' - (1908)

The second painting I have chosen by Mondrian is 'Broadway Boogie Woogie' (1942-43) this was sadly his last painting this particular painting was described as ''neoplasticism'' which basically means ''new form''. His painting is abstract and somewhat map like in form using only primary bold colours in blocks and is supposed to depict the vibrancy of a city almost in motion that never sleeps, a brightness that never fades and a tribute to city life at least that's what I see when I look at it but even then at first I had to be told what it was supposed to be, it isn't instantly recognisable. Piet Mondrian (1940) ''Curves are so emotional'' New York gave him a deep insight to his mind to escape the horrors ensuing around him. Could this have been a natural progression of maturity in his work without the social and economical troubles he had to face around him during this period of would for e本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。