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美国好莱坞主流电影发展论文-以伊斯兰人形象为例 [3]

论文作者:www.51lunwen.org论文属性:硕士毕业论文 dissertation登出时间:2014-07-16编辑:felicia点击率:21548

论文字数:10216论文编号:org201407161341286555语种:英语 English地区:中国价格:免费论文

关键词:好莱坞主流电影伊斯兰男人Hollywood cinemamainstream Hollywood cinemaIslamicArabic

摘要:这是一篇美国留学论文。随着经济水平的不断提高,人类的精神文化要求越来越高,在好莱坞主流电影中,刻板的伊斯兰人和阿拉伯人形象已经不能适应电影的发展要求。本文以伊斯兰人形象为例,试图打破不同文化之间的差异性和限制性,以促进文化交流和好莱坞电影文化的发展。

o the contemporary portrayal of Islamic men in Hollywood cinema. As will become apparent, fear and Islam have always gone hand in glove when viewed through the prism of a Western, judgemental lens.


This deep seated sense of threat felt by the West is not a recent phenomenon. The history of the West’s relation with Islam is fraught with friction, dating back to the First Crusade (1099) and the following horrors and atrocities committed on both sides. Two more Crusades followed, both fuelled by religion but practised by hatred, signalling the beginning of the end of communications between the two cultural blocs. It was the construction of a psychological blockade that has yet to be fully dismantled; and, as Curtin (2000:178) points out with reference to the Ottoman Empire (the ‘sick man of Europe’),isolation breeds mistrust.


“In spite of frequent warfare, cultural exchange between Ottomans and the West ranged from watchful tolerance to benign contempt. The Christians had a long standing horror of Islamic contamination, going back to the rise of Islam and intensifying with the Crusades. The Ottomans were more tolerant of religious difference but the millet system combined permissiveness with an effort to seal off Christian minorities into segregated communities.


” In this way, Islamic men have historically been seen as a fundamental threat to the West; religiously, culturally, politically and economically. Due to the totality of the threat posed by Islam, the fear felt by the West is thus unlike any other comparable social discord in history. The threat posed by black men was, for instance, a matter of creed, while the fear of communism was an inherently ideological struggle. The trepidation concerning Islam has been of an altogether more incriminating disposition. It is a threat tantamount tithe primeval fear of invasion, masked in crime. As will be shown, the criminalisation of the Arabic Islamic man is a key feature of contemporary Hollywood portrayals of Islam.


Paradoxically, in light of the shroud of secrecy built up around Islam, scant regard was paid to the actual cultural differences between the Middle East and the West within the bulk of Western literature until the late 1970’s. Only with Edward Said’s landmark study, Orientalism(published in New York in 1979) did the subject of the cultural divide between the two societies become part of mainstream academic discourse. Said’s work was, and remains, highly important because it challenged the fundamental belief in Western superiority that has been promulgated since the onset of European empire building in the sixteenth century.


Due to the following territorial and military domination enjoyed by Europeans, the achievements of the peoples of the Middle East was largely airbrushed from history, so as to underscore the triumph of Western culture over their supposedly inferior Muslim subjects. Said reminded the West of the scholarly debt it owed to Islam and the Middle East, which acted as the trigger for the enormous technological advances that created a fertile ground for European expansion centuries later.


He cited philosophy, mathematics, architecture, etiquette and astronomy as just some of the fields in which Islam论文英语论文网提供整理,提供论文代写英语论文代写代写论文代写英语论文代写留学生论文代写英文论文留学生论文代写相关核心关键词搜索。

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