英语论文网

留学生硕士论文 英国论文 日语论文 澳洲论文 Turnitin剽窃检测 英语论文发表 留学中国 欧美文学特区 论文寄售中心 论文翻译中心 我要定制

Bussiness ManagementMBAstrategyHuman ResourceMarketingHospitalityE-commerceInternational Tradingproject managementmedia managementLogisticsFinanceAccountingadvertisingLawBusiness LawEducationEconomicsBusiness Reportbusiness planresearch proposal

英语论文题目英语教学英语论文商务英语英语论文格式商务英语翻译广告英语商务英语商务英语教学英语翻译论文英美文学英语语言学文化交流中西方文化差异英语论文范文英语论文开题报告初中英语教学英语论文文献综述英语论文参考文献

ResumeRecommendation LetterMotivation LetterPSapplication letterMBA essayBusiness Letteradmission letter Offer letter

澳大利亚论文英国论文加拿大论文芬兰论文瑞典论文澳洲论文新西兰论文法国论文香港论文挪威论文美国论文泰国论文马来西亚论文台湾论文新加坡论文荷兰论文南非论文西班牙论文爱尔兰论文

小学英语教学初中英语教学英语语法高中英语教学大学英语教学听力口语英语阅读英语词汇学英语素质教育英语教育毕业英语教学法

英语论文开题报告英语毕业论文写作指导英语论文写作笔记handbook英语论文提纲英语论文参考文献英语论文文献综述Research Proposal代写留学论文代写留学作业代写Essay论文英语摘要英语论文任务书英语论文格式专业名词turnitin抄袭检查

temcet听力雅思考试托福考试GMATGRE职称英语理工卫生职称英语综合职称英语职称英语

经贸英语论文题目旅游英语论文题目大学英语论文题目中学英语论文题目小学英语论文题目英语文学论文题目英语教学论文题目英语语言学论文题目委婉语论文题目商务英语论文题目最新英语论文题目英语翻译论文题目英语跨文化论文题目

日本文学日本语言学商务日语日本历史日本经济怎样写日语论文日语论文写作格式日语教学日本社会文化日语开题报告日语论文选题

职称英语理工完形填空历年试题模拟试题补全短文概括大意词汇指导阅读理解例题习题卫生职称英语词汇指导完形填空概括大意历年试题阅读理解补全短文模拟试题例题习题综合职称英语完形填空历年试题模拟试题例题习题词汇指导阅读理解补全短文概括大意

商务英语翻译论文广告英语商务英语商务英语教学

无忧论文网

联系方式

美国留学论文参考-从美国电影导演看电影界的发展

论文作者:www.51lunwen.org论文属性:短文 essay登出时间:2014-08-23编辑:felicia点击率:13763

论文字数:4730论文编号:org201408182303224328语种:英语 English地区:美国价格:免费论文

关键词:导演电影拍摄auteur Theoryappraisal of filmsshaping forceAmerican Directors

摘要:本文是一篇电影学留学论文。安德鲁·萨瑞斯提出的导演理论表明相关的电影操作,安德鲁·萨瑞斯使用这个理论提出“导演是电影制作背后的驱动力和主要力量。”本文简要分析了美国电影市场和电影导演所采用的电影制作和操作方式。

导演主创论和珍·吕克·戈达德的工作


前言

“导演”这个词仅仅意味着作者;然而安德鲁·萨瑞斯提出的导演理论表明阅读方式和电影评价是通过检查导演的作品提出来的,安德鲁·萨瑞斯使用这个理论对导演的工作和作品进行排名,主要基于以下三个基础标准上:(a)技术能力(b)文体身份(c)世界观的传染性,在这个基础上,萨瑞斯检查导演的作品,评估其作品的价值(威尔斯和韩肯恩1997:313)。凯勒指出,导演理论可以概括为“导演是电影制作背后的驱动力和主要力量。”凯勒(1930)。


这个术语是由导演弗朗索瓦·特吕弗提出来的,他意识到,美国导演在电影拍摄的工作过程中,经常受到严格的限制,需要考虑各种电影类型和可以直接使用的脚本,因为这些通常是预先确定的,并允许讨论试验自己的想法。然而,尽管有这些限制,一些导演如希区柯克等能够实现自己独特的个人风格。


导演的作用是协调生产的所有元素及其不同阶段的发展状况,最终会影响电影作品的质量。


The auteur Theory and Jean Luc Goddard’s work


Introduction

The word “auteur” simply means author; however the auteur theory as devised by Andrew Sarris indicates a manner of reading and appraisal of films by examining the imprint of the author of the work, generally the director. Sarris uses this theory to rank the work of directors on the basis of three separate criteria: (a) technical competence (b) stylistic identity and (c) the communicability of their worldview, and on this basis, Sarris examines the work of directors and estimates their worth.(Wells and Hakanen, 1997:313). Keller points out that the auteur theory or la politique des auteurs may be summarized as the “acknowledgement of the director as the primary and shaping force behind any film.” (Keller 1930).


The term, politque des auteurs was coined by Francois Truffaut, who realized that American Directors often worked within strictly circumscribed parameters in reference to the kinds of films and the scripts they could direct, since these were often predetermined and allowed the directors little room to experiment with their own ideas. Yet, despite these restrictions, some directors such as Hitchcock were able to achieve a personal style that was uniquely their own.The role of the director is to coordinate all the elements of production and its various stages, which ultimately affects the quality of the final product.


The notion of the Director being the true author of a film first emerged through the views of Andrew Sarris, who offered the view that over the course of preparation of several films, a director may reveal certain recurring characteristics of styles or themes, which are like his or her personal signature or stamp upon the film, identifying it unmistakably as their product.


In particular, where some directors are concerned, some recurring themes may occur in all their works, or their work may demonstrate a particular world view or personal vision that becomes evident through their work. The auteur theory is especially relevant and important, as demonstrated through the work of Directors such as Jean Luc Goddard, because they bear the unmistakable personal imprint of the author, despite the plethora of external market and commodity pressures that may fashion the final products.


The objective of this study is to examine the works of French Director Jean Luc Goddard from the perspective of the auteur theory, in order to discern the unique thread that underlies this director’s work. Through an examination of four films, Une femme est une femme, Vivre Sa Vie, Le Mepris and a bout de soufflé, the unique elements in Godard’s films which set him apar论文英语论文网提供整理,提供论文代写英语论文代写代写论文代写英语论文代写留学生论文代写英文论文留学生论文代写相关核心关键词搜索。

共 1/9 页首页上一页1234567下一页尾页

英国英国 澳大利亚澳大利亚 美国美国 加拿大加拿大 新西兰新西兰 新加坡新加坡 香港香港 日本日本 韩国韩国 法国法国 德国德国 爱尔兰爱尔兰 瑞士瑞士 荷兰荷兰 俄罗斯俄罗斯 西班牙西班牙 马来西亚马来西亚 南非南非