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贝多芬的第五交响曲C小调Beethoven fifth symphony in C minor

论文作者:www.51lunwen.org论文属性:作业 Assignment登出时间:2017-08-18编辑:anne点击率:6927

论文字数:2629论文编号:org201708181347589686语种:英语 English地区:澳大利亚价格:$ 22

关键词:贝多芬第五交响曲C小调Beethovenfifth symphonyC minor

摘要:贝多芬在第五交响曲C小调使用一些简单的想法和短暂的阶段,主要是两个或三个单位的单位,统一整个章节和内部的整个韵律。

这篇文章的选择分析的部分是贝多芬的C小调第五交响曲,作品67。这是贝多芬最杰出的成就之一。到贝多芬的第五交响曲C小调,这样的动机整合从未出现过,以及音律之间的密切关系在其他作品中还没有显示出来。
The chosen piece for this essay is Beethoven’s Fifth symphony in C minor, op 67. It is one of Beethoven’s most remarkable achievements. Up to Beethoven’s Fifth symphony in C minor, such motivicintegration, and close relationships between materials have not been shown in another compositions. 

First movement 第一乐章
第一乐章的快板,这是c小调和2/4时间,从一个2杆单位的主要想法(Bar1-2)开始。 在后面的部分,这个主要思想一再反复出现在各种形式中。第二条延音后,这种想法是重复在一个基调下接着另一个延音(b.3-5)。直到5吧。 只有弦和单簧管参与..................
The Allegro con brio first movement, which is in C minor and 2/4 time, starts with a 2-bar unit main idea (Bar 1-2).  In later part of the piece, this main idea comes back again and again in various forms. After the fermata in the second bar, this idea is repeated in one tone lower then followed by another fermata (b.3-5).  Up until bar 5, only strings and clarinets participate..........................

Second movement 
The Andante con moto second movement, starts with a theme in A flat major and 3/8 time played by the viola and cellos.  This is a double theme variation movement; the two main themes appear alternatively in various forms through the whole movement...........

Third movement
This piquant and witty third movement is in scherzo- trio form. This movement particularly represents the character of Beethoven’s music, and that anxious feeling appearing in the Allegro first movement is aroused here again.................

Fourth movement
The final movement starts with a splendid and exultant theme in C major.  Piccolos, trombones and contrabassoon are now added to the orchestra.  The first half of this movement “has almost the energy of an overture”, and it continues for 34 barsplayed by the whole orchestra in C major......................

In conclusion, Beethoven uses some simple ideas and short phases, mostly two or three-bar unit, to unity the whole work, both inside the movementand across movements. Thanks to such a brilliant planning, this piece is able to provide a powerful sense of indescribable yearning which creates a long lasting effect in the listener’s heart. Furthermore, although Beethoven has kept the conventional order of movement in this symphony, those unconventional arrangements, both in musical and technical aspects, deeply stirred the heart of every sensitive listener and hold their breath by nervousness and tension until the very last chord. 

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