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美国建筑师弗兰克·劳埃德·赖特（Frank Lloyd Wright）认为建筑的精髓在于空间。建筑物的本质不是那些看起来组成了它的部件，不是屋顶和墙壁本身，而是由屋顶和墙壁所围拢起来的空间。空间不仅仅因为其视觉形式而存在着内在意义，同时也因为我们各自与背景职业连接起来的空间经历而产生了外在意义。我们感知着空间形式、结构、美学以及人们与其发生的联系之下的房屋。“这就构成了我们亲身经验的实感，但是空间不仅仅有着实感，同时也有着一种隐喻性质。”他们会释放出一些观点和特定的信息，就好像我们装饰和装修自己的家，给人带来不一样的感觉一般。它们能够讲述故事，因为它们的形式和内部规划会让我们知道如何去体验和感知。没有我们的感受，空间就失去意义，而去感知空间也是理解空间的唯一方式。

某些特定时期，建筑师们选择去创造一些令人眼前一亮的复杂的空间，有着卷曲或者波浪状的墙壁。欧洲的波洛克和洛可可风格建筑就是这样的时代建筑。

Frank Lloyd Wright believed the essence of architecture is space. The reality of architecture is actually not in the components that seem to make it, but rather - 'the reality of a room was to be found in the space enclosed by the roof and walls, not in the roof and walls themselves.' (Roth, 2007) Spaces not only have intrinsic meanings that result from their spatial and visible forms but also extrinsic meanings that evolved out from each of our different spatial experiences with regards to each individual perceiver's own background and profession. We experience the space's interior space in terms of their form, their structure, their aesthetics and how others and us relate to them. 'This constitutes the reality of our physical experience, but spaces not only have an existence in reality, they also have a metaphorical existence.' (Rasmussen, 1959) They express ideas and give out certain messages about the space, just as the way we dress or furnish our homes gives people certain messages about us. They tell stories, for their forms and interior planning give us hints about how they should be experienced or perceived. Space is meaningless without us to experience it and to experience a space is the only gateway to understanding space.

At certain eras, architects have chosen and began to create exciting, complex spaces with curving and undulating walls. 'The period of the baroque and rococo in Europe was one such time when interiors were designed to entice and captivate the onlooker and draw them into a world of illusion created through painting, sculpture and the curving forms of architecture.' (Conway, 1994) At that time, craftsman played the important role of producing architectural and interior spaces with good workmanship and complicated work pieces that still amaze us to this day. Now in this totally new era, right here in this century, wonders are different and expectations higher with significance and Philosophy equally deep but entirely unlike. The heightening desire and importance of communication between the space and the perceiver with the spatial experience created seem to become a dominating factor and a crucial characteristic of spatial design in this new era.

'If architecture can be said to have a poetic meaning, we must recognise that what it says is not independent of what it is.' (Pérez-Gómez, 2006) Architecture does not generate an experience that any words can translate later. Like the poem itself, it is its space as presence which gives it the meaning and the experience that one has to go through. This experience in turn differs for every individual. What each person perceives is the effect brought about by the interplays between past experiences, including the person's culture, education, upbringing, characteristics and the interpretation of the perceived. Different aspects of the experiential spaces and the perceiver also 本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。