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论文作者:www.51lunwen.org论文属性:学术文章 Scholarship Essay登出时间:2015-01-29编辑:Cinderella点击率:4098
论文字数:1503论文编号:org201501282047536388语种:英语 English地区:英国价格:免费论文
摘要:本文介绍了起源于英国的锐舞文化。代表着在Disco-Jockey打碟号召之下,打扮入时的年轻人,沉醉于DJ播放的新派跳舞音乐中,通宵达旦,热烈起舞的文化类型。
锐舞通常被看做是流行文化的一部分,与亚文化截然相反。锐舞文化最初被记录是在1970年4月4日,记录下了这种舞蹈。随后在20世纪80年代末期,锐舞开始与室内迷幻音乐结合,这种音乐具有快节奏电子风格和灯光秀的特点。聚会上人们随着DJ或现场演奏者的音乐起舞,还会使用激光秀和人造雾的投射影像。
至于锐舞文化被认为是流行文化而不是亚文化,我们有必要对文化与亚文化概念的区分作了解。亚文化对自己的定义是主流文化的次级分支,他们试图颠覆和推翻已经建立的秩序。然而,锐舞文化与青少年文化显然不同,因为它既没有可辨认的着装要求,也没有脱离广泛意义的文化完全自主。更多的是,因为它没有提出对其他任何独立文化的反抗,没有被看作是亚文化,而本身就是独立文化。
这些年来,锐舞文化和迷幻室内音乐联系在一起,这种音乐的特征就是具有易催眠、反复,令人恍惚的效果。
Rave has been greatly considered as a part of the popular culture as opposed to being a sub-culture. The rave culture was first documented in April4, 1970 which described rave dances. Later inn the 1980s the rave culture came to be associated with Acid house Parties which played fast-paced electronic Music with light shows. The people in these parties danced to music either played by DJs or even by live performers. Laser light shows and projected images of artificial fog were also incorporated into the dance
In regard to the rave culture being considered as a popular culture as opposed to being a subculture, a clear differentiation of a culture and a sub-culture will be useful. Subcultures define themselves as subordinates to a more dominant culture and they try to subvert and pose resistance to the already established order (Rietveld, 1998). However, rave is characteristically different from the theories of the youth culture since it doesn’t have an identifiable dress code nor totally autonomous from the wider culture. Moreover, since it doesn’t cause any type of resistance to any other independent culture, it is therefore not considered as a subculture but an independent culture on its own.
Over the years, the rave culture has been associated with the Acid House Music, a sub genre of Housing which is characterized by hypnotic, repetitive and trance-like music. Acid House also includes samples of spoken lines as opposed to sung lyrics which was developed in the mid 1980s and spread to the United Kingdom, Continental Europe, Australia and other pars of the world. Nonetheless, in the 1980s a moral panic was raised in regard to Acid Houses. People questioned the moral values that were being eroded by this genre of music. Some of the issues raised concerned drug taking. This was one of the major issues highly sensitized by the tabloid press本论文由英语论文网提供整理,提供论文代写,英语论文代写,代写论文,代写英语论文,代写留学生论文,代写英文论文,留学生论文代写相关核心关键词搜索。