英语论文网

Margaret Eleanor Atwood (1939- ), universally acknowledged as the “Queen of Canadian Literature”, is a Canadian key figure shining in the international literary circle. Till now, she has published more than 60 works and won numerous high-achieving prizes, including the Booker Prize, the Giller Prize and the Governor General’s Award. Since the mid-1960s, Atwood has been making continuous efforts in her writing with ardent and humanistic concerns in various fields as society, politics, culture, environment, gender, morality and ethics. Ten years (2003-2013) have witnessed the publication of MaddAddam trilogy. As Atwood’s only trilogy of fantasy novel, the three works are also called “Post-apocalyptic trilogy” and “Dystopian trilogy” for Atwood’s unique apocalyptic settings. Its first volume Oryx and Crake was nominated for the Booker Prize as well as Orange Prize in 2003. As a whole, MaddAddam trilogy vividly describes the status and crisis in a posthuman age, the doomsday resulting from false prosperity of science and technology, which is also an area of considerable interest for Atwood.

英语语言学论文题目参考

Though great achievements have been made in novel writing, Atwood started her career as a poet. In 1964, she published the poem collection The Circle Game. This first launch won her the highest honor, Governor General’s Awards of Canadian Literature and established her literary status and attracted the attention of literary critics. In the 1980s and 1990s, with the publication of several important novels, Atwood’s position as one of the most important Canadian writers in the contemporary literary world was consolidated. Nowadays, research on Atwood is becoming increasingly prosperous, and its results are quite outstanding in both quantity and quality. The history of Atwood research has spanned more than 40 years. It can be said that Atwood research itself becomes a literary subject worth profound exploring.

1.2 Introduction to MaddAddam trilogy

Oryx and Crake, The Year of the Flood and MaddAddam constitute Margaret Atwood’s MaddAddam trilogy. The composition of the three novels forms an epic of the posthuman world of advanced technology and destroyed humanity. As a dystopian fantasy novel, the trilogy also follows its convention and paints a terrifying post-apocalyptic picture: a bleak and desolate future society, in which the genetic engineering runs amok. The inescapable out-of-control technology forms a huge power field trapping all living creatures in it. The technology-holders in “the Compounds” try to squeeze the last drop of blood out of others, and where the powerless in “the Pleeblands” still struggle to survive. The uncontrolled snatching of technological power and the never satisfied human desire is projected on the alienated fast food, distorted animal experiment and optimized posthuman body, such step-by-step invasion form the bonds of anxious social relations involved more creatures into it. The outbreak of a man-made biochemical weapon brings about the extinction of human beings, showing us a future society where the misuse of technology has destructive consequences on human civilization. 本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。