英语论文网

Copyright Notice
Staff and students of Lancaster University are reminded that copyright subsists in this extract andthe work from which it was taken. This Digital Copy has been made under the terms of a CLAlicence which allows you to:
•

英國留學作業代寫https://www.51lunwen.org/uk/ access and download a copy;
• print out a copy;
This Digital Copy and any digital or printed copy supplied to or made by you under the terms ofthis Licence are for use in connection with this Course of Study. You may retain such copies afterthe end of the course, but strictly for your own personal use.All copies (including electronic copies) shall include this Copyright Notice and shall be destroyed
and/or deleted if and when required by the University.
Except as provided for by copyright law, no further copying, storage or distribution (including bye-mail) is permitted without the consent of the copyright holder.
The author (which term includes artists and other visual creators) has moral rights in the work andneither staff nor students may cause, or permit, the distortion, mutilation or other modification of
the work, or any other derogatory treatment of it, which would be prejudicial to the honour orreputation of the author.
Name of Designated Person authorising scanning: R iOlemanCourse of Study for which scanned (course code and name): cult 325
Number of registered students on Course of Study 20
Duration of Course of Study in weeks: 10ISBN (of book) or ISSN (of journal):Name of Publisher: London, Thousand Oaks, New Delhi: Sage
Title of item copied: 'Modernising Vision' (extract from) in Manghani, Sunil, Piper,Arthur and Simons, Jon (eds) (2006) Images: A Reader
Name of Author of chapter or article: Crary, Jonathan (1988)
OR Name ofYisual Creator (for an image):Page numbers (please give both start and end pages): pp. 270-274Source (indicate one): A. original owned by Lancaster University ./
B. copyright fee paid copy
C. supplied by another Licensed institution (state name)
Reason for scanning if digital version exists:
A. Digital version owned by Lancaster but format unsuitable
B. Lancaster does not own or subscribe to digital version
A. full page artistic work
B. artistic work with text
C. artistic work disembedded from surrounding text on page
12 : I MODERNIZING VISION
JONATHAN CRARY
It is interesting that so many attempts to theorize vision and visuality arewedded to models that emphasize a continuous and overarchjng Western
visual tradition. Obviously at times it is strategically necessary to map outand pose the outlines of a dominant Western speculative or scopic traditionof vision that is continuous or in some sense effective, for instance, fromPlato to the present, or from the Quattrocento into the twentieth century,or to whenever. My concern is not so much to argue against these models,which have their own usefulness, but rather to insist there are someimportant discontinuities that such hegemoniC constructions haveprevented from coming into view. The specific account that interests mehere, one that has become almost ubiquitous and continues to be developedin a variety of forms, is that the emergence of photography and cinema inthe nineteenth century is a fulfilment of a long unfolding of technologicaland/ or ideological development in the West in which the camera obscuraevolves into the photographic camera. Implied is that at each step in thisevolution the same essential presuppositi本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。