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l discourse? This question has been present since the beginning of the use of computer aided architecture software. It is notable that many of the designs we see in today's architectural world could not have been achieved without use of computer visualizations and extensive 3D graphics, However the question of how much should computation techniques be used is always present. Will the age old two dimensional flattened image give way to the intelligent three dimensional digital models as a way of communication? As apparently simple as this question might be, the answers are considerably more complex.

An architect throughout the ages has communicated via a pen or pencil and a piece of paper. They have quick ability to identify their projects functioning and particularities with a simple doodle. This method of working has not changed. However according to Vesselin Gueorguiev (2008, p.6) 'the architectural and design visualization industry is predicted to grow by 23% over the next 7 years'[2]. A new generation of structures and concepts is being created that recognizes the computer not only as a drafting and rendering tool, but also as a potentially powerful tool in the generation of designs themselves; in other words an intelligent drafting machine. With the use of 3D modeling, renderings and visualizations, an architect has an excellent opportunity to play with your imaginations or thoughts, enabling the creation of pieces of architecture that could never have been rationalized with the use of pen and paper technique alone.

An increasing number of digital designs are now being published and praised by critics as meaningful and influential to the architectural field. This emergence of 'paper' and theoretical architecture is rapidly expanding with many architects adopting a research approach to practice, led dominantly by computers as a means of experimenting in forms, aesthetics and expressing the investigations achieved. Helen Castle for instance describes how 'cities shapes might be grown in digital laboratories in order to aid evolved urban design (2009, p.4)'[3]. Evidence of this is shown in Figure 1 showing a digitally produced master-plan for a carbon-neutral resort and residential development on Zira Island in the Caspian Sea.

'For a long time architecture was thought of as a solid reality and entity: buildings, objects, matter, place and a set of geometric relationships. But recently, architects have begun to understand their products as liquid, animating their bodies, hyper-surfacing their walls, crossbreeding different locations, experimenting with new geometries.And this is only the beginning' (2005, p.22)[4].

It is undoubtedly evident that advanced rendering and 3D systems can help to envisage of what architecture might be, however the computer is not a human being and should not be treated as such. Ultimately it is the architect who is controlling the ideas, programming and concepts and the computer merely facilitates instructions. Therefore the computer is just a way of copying, simulating or replacing manual methods of design, simply a tool to replace the pencil. Kosta Terzidis concurs with the argument stating that 'unlike humans, computers are not aware of their environment' (2006, p.37)[5]. In this computer age, 本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。