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论文作者:英语论文论文属性:论文格式 Paper format登出时间:2012-04-11编辑:steelbeezxp点击率:22450
论文字数:10000论文编号:org201204112208436937语种:中文 Chinese地区:中国价格:免费论文
摘要:国内外著名大学人文科学类院系大多已做出必须在英语学术论文中遵循MLA格式的规定,How is MLA different?When is MLA used?What is MLA?
Table of Contents
ACKNOWLEDGEMENTS II
摘要 III
ABSTRACT V
TABLE OF CONTENTS VIII
INTRODUCTION 1
PART ONE THE THEORETICAL PREMISES 6
1.1 THE DISSOLUTION OF THE SUBJECT 10
1.2 DEPTH-LESS-NESS 11
1.3 INDETERMINACY 12
1.3.1 Indeterminacy of the Theme 12
1.3.2 Indeterminacy of Characters 12
1.3.3 Indeterminacy of the Plot 13
1.3.4 Indeterminacy of the Language 13
1.4 PARODY AND IRONY 14
PART TWO DEHUMANIZED CHARACTERS AND PAIRING RELATIONSHIPS IN WAITING FOR GODOT 15
PART THREE DIRECT EXPRESSION IN WAITING FOR GODOT 23
3.1 EMPTY STAGE AND MUDDLE-HEADED CHARACTERS 24
3.2 DISORDERED TEMPORAL STRUCTURE 26
3.3 DEVALUED LANGUAGE AND SILENCE AESTHETICS 28
PART FOUR THE “INDETERMINACY” IN WAITING FOR GODOT 33
4.1 INDETERMINACY OF THE CHARACTERS 33
4.2 INDETERMINACY OF THE THEME 38
4.3 INDETERMINACY OF THE PLOT 40
PART FIVE WAITING FOR GODOT: JUXTAPOSITION OF COMEDY AND TRAGEDY 44
CONCLUSION 50
WORKS CITED 53
MLA格式英语论文要求
Introduction
Samuel Barclay Beckett (1906-1989), an Irish novelist and playwright, is admittedly regarded as one of the greatest masters in the literary world of 20th century. In 1969, he was awarded the Nobel Prize for Literature by right of his eminent play, Waiting for Godot, which has influenced later generations of contemporary playwrights throughout the world. Actually Beckett considered himself a much better novelist and he thought of his plays as diversions undertaken at times when work on his fiction had brought him to a creative impasse, but since Waiting for Godot was first performed in Paris on 5 January 1953, the greater part of his literary career has resulted in his special form of writing for the theatre.
The play contains two acts in which two tramps, Vladimir and Estragon, wait for someone named Godot who is supposed to keep an appointment with them. They are joined by a man and his servant, Pozzo and Lucky, who stay with them briefly, then continue on their unspecified way. A boy comes at the end of the first act to tell Vladimir and Estragon that Mr. Godot will not come that day, but most surely the next. A tree which has been bare of leaves is the only setting, and a moon rises to signify that day has ended and night has come as the first act ends. In the second act, the tree miraculously sprouts a few leaves but nothing else has changed for Vladimir and Estragon. Pozzo and Lucky return and then leave; the boy comes again and repeats the same information. Vladimir and Estragon are disappointed and consider committing suicide, but they even have not got a rope strong enough to hang themselves. They speak of leaving for several times but they do not move. The moon comes up again, and the curtain falls as the two men stand silently facing the audience in attitudes of solemn dignity, displaying both resignation and dejection.
The thesis consists of three parts. Part One is an introduction to Samuel Beckett and Waiting for Godot, the research background, the reasons and purpose of studying Waiting for Godot from the perspectives of postmodernism. Part Two is a detailed analysis of Waiting for Godot and the anti-play techniques of it, basing on four 本论文由英语论文网提供整理,提供论文代写,英语论文代写,代写论文,代写英语论文,代写留学生论文,代写英文论文,留学生论文代写相关核心关键词搜索。