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从权力话语角度解读《抱歉》中的女性失语形象 [3]

论文作者:留学生论文论文属性:硕士毕业论文 thesis登出时间:2022-11-26编辑:vicky点击率:658

论文字数:33256论文编号:org202211240936178849语种:英语 English地区:中国价格:$ 66

关键词:英语文学论文题目

摘要:本文是一篇英语文学论文题目,本文以米歇尔·福柯的权力话语理论为基础,从父权话语、家庭话语和种族话语三个方面对《对不起》中的三位女性失语症人物进行了详细分析,以描绘不同层次的失语症女性的不幸遭遇,以及她们对男性霸权的无声交流和无声呐喊。

munication based on an understanding and care for others.The article“The Traumatic Narrative in Gail Jones’Sorry”by Han Xiaoxiao in 2019expounds Sorry from the perspective of trauma theory,and analyzes therepresentation of individual trauma in the text,including the trauma and PTSDsuffered by the white girl Perdita and the trauma suffered by the Australian aboriginalgirl Mary.For Perdita,her unfortunate family and the sudden incident of fatherNicholas were the source of her trauma.

Chapter Three THEORETICAL FRAMEWORK..............................15

3.1 Power Discourse Theory.............................15

3.2 Basic Concepts of the Power Discourse Theory...............................17

Chapter Four ANALYSIS OF FEMALE APHASIA IMAGES IN SORRY......24

4.1 Representations of Female Aphasia Images in Sorry.............................24

4.1.1 Stella’s Subservience and Obedience to Patriarchal Society................24

4.1.2 Perdita’s Compliance and Tolerance in Authoritarian Family..............26

Chapter Five OUTLETS OF FEMALE APHASIA IMAGES IN SORRY........40

5.1 Stella’s Resistance against Patriarchal Hegemony........................40

5.1.1 Violation on Taboos...........................40

5.1.2 Self-exile..................................42

Chapter FiveOUTLETS OF FEMALE APHASIA IMAGES IN SORRY

5.1 Stella’s Resistance against Patriarchal Hegemony

Stella in Sorry was denied the right to speak in a patriarchal society.After thedeath of her authoritarian husband,Stella dared to rebel against patriarchal hegemonyby touching matters that were exclusively owned by males.When not allowed toexpress her own voices,Stella exiled herself from aphasic state by reciting lines ofWilliam Shakespeare.

5.1.1 Violation on Taboos

Stella,who had lived in a patriarchal society for the first half of her life,seemedto regain her life after the death of her husband.After husband Nicholas’death,Stellagradually acquired a bolder spirit of rebellion.She dared to open the books she wasonce forbidden to touch and picked out those specifically marked for Nicholas’use.Inaddition,Stella enlisted Mr.Trevor to teach her to drive Nicholas’car.

英语文学论文题目参考

Besides,Stella became addicted to playing poker cards taught by Mary for whichsymbolized order and authority.In those steps of shuffling,catching and playing cards,the power was held in her hands.

There was an order here,and fierce competition.She loved atonce the sequential feel of the shuffle,and the swift distributionof slippery cards,flung like flying saucers from a flick of thewrist.She retain and which to dispose of,and the slapping of acard on the table,and the grabbing up of a replacement(Jones81).

Chapter SixCONCLUSION

Sorry,a book by Australian author Gail Jones,is controversial in literarycriticism for its theme and writing style upon its release.Some critics view Sorry asmore of a politically critical and didactic novel.Unlike Jones’previously publishedpostmodernist works,Sorry is an allegorical illusion that deals with the unspokenapology towards the horrible sufferings of Australian indigenous people.

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