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I. Introduction
 Film titles are the brand of films. A good film needs a wonderful title, which can attract peoples before they see its plot. Every time when people hear about a film, they are always getting to know its title first. And then they decide whether or not to see it. Therefore a good film title, to some extent, could make a box-office success. Otherwise, film title is the summary and essence of the film’s content. The translator should try to figure out the real intention of the director and design the most proper title for the film. The pleasure of watching a film comes as much from its content as from its title.
The translation of western film titles is quite different between the mainland and Hong Kong. The former ones take the faithfulness, expressiveness and elegance important while the latter ones consider the imagination and economic benefit is great. These different views need to understand the different culture between western country and china, and the commerce value of the films’ titles. In brief, they operate in different socio-cultural contexts. All of these are compounded in the translation of film titles.
This paper gives different translation features and methods between mainland and Hong Kong. And the different culture background which cause the difference translate edition between the two places. People can see three values of the translation of film titles, faithfulness, elegance and creativeness. People can also see two deficiencies, inflexible and over commercial. The author makes a conclusion that keeping a balance between translation of mainland and Hong Kong. A successful translation of film title is concentrated on the real meanings and audiences’ appetite. And the response of the audiences would be coherent when they accept the translation of film titles. This is the high standard of the translation of film titles. Hence, keeping the equivalence of the language, the culture and the style is useful to the audiences’ understanding of the original film titles. In addition, the culture between the mainland and Hong Kong is different. In conclude, this equivalence demands us to observe more closely to the film titles. 
The author summarizes that people shouldn’t hold only one-side view that the translation of mainland is good or the translation of Hong Kong is good. Two of them ought to supplement and complement each other. Each way has its features. The translators need to adopt different methods in different content of the film and the culture background at that time. And the audience should accept and appreciate the different editions.
 
 II. The Current Situation of Film Titles Translation
More and more foreign films are introduced to China among of which, English movies are the most. Therefore, this paper study mainly about the film titles translation from English to Chinese. It is chiefly related to America. Compare the different English film titles to the Chinese translation, you will find a number of tricks. Meanwhile, the title of the translation may lead to the problem of defining standards for the translation. At the same time, foreign films had been translated into different editions by mainland, Hong Kong and Taiwan, because of the different culture and features. Sometimes an English movie has several Chinese names, For example, the film Mission Impossible, the translation in mai本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。