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作为福柯僭越哲学实施的文学 [3]

论文作者:留学生论文论文属性:硕士毕业论文 thesis登出时间:2021-12-26编辑:vicky点击率:3237

论文字数:32333论文编号:org202112141207145065语种:英语 English地区:中国价格:$ 66

关键词:英语文学论文

摘要:本文是一篇英语文学论文,本文以福柯对文学的理解和阐释为基础,从越轨哲学的角度,从语言、写作和空间三个维度,得出文学是福柯越轨哲学的实现,即,文学是福柯越轨哲学最终实现的实验场。

derstanding of Literary Writing

Writing as one of the vital approach to spread words and thoughts is inevitably valued in both reading and criticizing. Old English writing from the perspective of etymology refers to “action of forming letters and characters”, gradually evolves into “one’s own handwriting or penmanship”  and  “system  of  human  intercommunication  by  means  of  conventional  visible marks” in a broad sense. The single and simple self who writes, that is an author, occupies the centre of the whole action, when it comes to writing, who writes and why he or she writes this kind of content matter the most. The conventional view of writing takes the author as the vital aspect  both  in  reading  and  criticizing,  which  can  be  obviously  recognized  in  traditional writing formula and literary criticism. 

The  representative  of  the  typical  writing  formula  from  the  conventional  writing  view must  be  traced  back  to  the  beginning  of  western  literature,  Homer  and  his  The  Odyssey. According to Foucault, “…writing, in the literary sense, involves placing repetition at the very heart  of  the  work”  (Foucault  2015:73),  and  this  repetition  formula  in  writing  became  a common sight of the writing structure from and after Homer. In What is Literary Language, Foucault  exemplifies  and  analyses  the  repetition  structure  of  The  Odyssey,  with  Homer’s inner aims through the writing formula. Phaeacians are singing for Ulysses and his exploits, while Ulysses is present at that scene and hearing part of his experience. The bard who sings Ulysses’s adventures, Ulysses himself hears the song, and the adventures he had experienced and  waited  to  be  experienced  jointly  constitute  the  writing  formula  of  repetition  structure. Thus, Foucault summarizes, “…in this way, The Odyssey is repeated within itself, it possesses a kind of central mirror, at the heart of its own language, so that Homer’s text turns around itself,  wraps  around  or  unfurls  around  its  centre,  and  is  repeated  in  a  movement  that  is essential  to  it”  (Foucault  2015:73).  He  also  affirms  that  this  repetition  writing  formula constitutes the basic configuration of western literature. The goal and the atmosphere that the base configuration established is the immortality of both the author and the heroes in literary works.  For  the  immortality  of  the  heroes,  though  Ulysses  keeps  silent  during  the  chant,  the bard is the one who lets him speak and reveals him when he tries to hidden, hence, even the hero is absent, other characters in works still play the role of spreading the hero’s adventures and  exploits  in  order  to  ensure  the  everlasting  presence.  Also,  in  The  Arabian  Nights, Sha论文英语论文网提供整理,提供论文代写英语论文代写代写论文代写英语论文代写留学生论文代写英文论文留学生论文代写相关核心关键词搜索。

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