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莫里森《爱》中的复调艺术 [3]

论文作者:留学生论文论文属性:硕士毕业论文 dissertation登出时间:2022-11-05编辑:vicky点击率:775

论文字数:43522论文编号:org202210281115433317语种:英语 English地区:中国价格:$ 44

关键词:英语文学论文

摘要:本文是一篇英语文学论文,在《爱情》中,官方话语(种族主义和性别歧视)压制了个人的声音,黑人面临着失去个人和群体价值的危险,随之而来的是疏远和创伤。在这种情况下,莫里森总是关注主角的心理状态,并密切关注他们的意识形态。为了加深理解,本文采用了巴赫金的复调理论。

n a single person Dostoevsky tries to create two persons.‖ (Bakhtin:1984:28) Thus,a conflict between the self and the other starts. By continuous self-talk, the characters‘ inner paradoxical thoughts are detected, which reveals their psychological states. After severe mental suffering, the pain is beyond words. Only introspection can show their inner world. By talking to their hearts, the characters explore in great depth the ethics, morals, religion and social issues. 

Chapter III Unfinalizability .............................. 51

3.1 Unfinalizability of the Major Characters ................... 51

3.1.1 Unfinalizability of Christine ......................... 52

3.1.2 Unfinalizability of Junior ......................... 54

3.2 Unfinalizability of the Plot ............................ 56

3.3. The Open Ending ........................... 60

Conclusion ................................. 66

Chapter III Unfinalizability

3.1 Unfinalizability of the Major Characters

The characters in polyphonic novels are different from the ones in general fictions. The author and the characters are on equal terms. They are not only objects the author describes, but also subjects who can frankly voice their own opinions. The characters‘ consciousnesses are not restricted to the author‘s frame. They are independent of the author, and what‘s more, they have independent self-consciousnesses. They are neither Zeus‘s slaves nor the author‘s megaphone. They are in fact free men who are created by Prometheus. ―In a human being there is always something that only he himself can reveal, in a free act of self-consciousness and discourse, something that does not submit to an externalizing secondhand definition.‖ (Bakhtin, 1984:58) That‘s to say, the author can‘t give a final judgement on the characters. The characters also vehemently refute other people‘s definitions of their personalities. They can sense unfinalizability in their hearts, and try to disprove all the conclusive comments. The character‘s consciousness is equal to the author‘s consciousness. As long as the characters are in the tense dialogues, their self-consciousnesses continue to develop and grow. So long as a person is alive, the meaning of his life is found in his unfinalizability. He hasn‘t told his ultimate opinion. ―What the author visualizes is precisely the hero's self-consciousness and the inescapable open-ended-ness, the vicious circle of that self-consciousness.‖ (Bakhtin, 1984:51) Thereby their self-consciousnesses live by the characteristics of unfinalizability, unclosedness and the indeterminancy. 

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Conclusion

As an American black woman writer, Morrison is fully aware of the racial difference in terms of gender identity, and the gender difference in terms of racial identity. The double marginal identity makes Morrison see more and experience more. She consciously associates her writing with the national liberation struggle, and reveals the survival predicament of the blacks in the American society, especially the living condition of the black women. The story of her novel Love also shows her deep concern. This novel depicts a real picture of the American Civi论文英语论文网提供整理,提供论文代写英语论文代写代写论文代写英语论文代写留学生论文代写英文论文留学生论文代写相关核心关键词搜索。

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