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摘要：The aim of this element of unit 5 is to examine key theories and debates, some of which you encountered in Unit 4, in order to develop your understanding of the cultural processes and practices that affect art, design and our culture in general.

ssion of art and fashion, this seminar series looks at the historical, geopolitical, and practical aspects of these inter-related fields. This includes an examination of the role of fashion and consumer culture in art, artistic practice and fashion curation. Through a combination of lectures, workshops, visits to fashion retailers and museums, the seminar series will reference historical examples from Modernist movements including the Bauhaus, to postmodern examples such as Pop, Punk and Op Art. In addition Students will look at the changing role of the fashion photograph within a historical as well as digital context and the rise of fashion film on the Internet. In the light of debates surrounding fashion as art and/or art as fashion, we will explore the current trend of collaborations between artists and major labels (such as Richard Prince, Yayoi Kusama and Takashi Murakami for Louis Vuitton, Francesco Vezzoli for Prada and Zaha Hadid for Chanel), as well as designers such as Karl Lagerfeld, Tom Ford or threeASFOUR making ‘works of art’.

Reading

Benjamin, W. (2002) The Arcades Project. Massachusetts: Harvard University Press.
——. (1979/1931) ‘A Short History of Photography’ in One Way Street. London: New Left Books.
Clark, J. (2011) Hussein Chalayan. New York: Rizzoli.
Cotton, C. (2000) Imperfect Beauty: The Making of Contemporary Fashion Photographs.
London V&A Publications.
Cotton, C. (2003) Guy Bourdin. London: V&A Publishing.
Craik, J. (1993) The Face of Fashion, Cultural Studies in Fashion. London: Routledge.
Geczy, A. and Karaminas, V. (2012) Fashion and Art. London: Berg.
Gronberg, T. (2003) Designs on Modernity. Exhibiting the City in 1920s Paris. Manchester, University Press.
Gorman, P. (2006) The Look: Adventures in Rock and Pop Fashion. London: Adelita.
Khan, N. (2012) ‘Cutting the Fashioned Body’. Fashion Theory, vol.16, no. 2, 235-250.
Kismaric, S. and Respini, E. (2004) ‘Fashioning Fiction’. Photography since 1990. New York: The Museum of Modern Art.
Kotz, L. (1998) ‘Aesthetics of Intimacy’. The Passionate Camera: Photography and Bodies of Desire. London: Routledge.
Lehmann, U. (2000) Tigersprung, Fashion in Modernity. London: MIT Press.
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Mackay, F. (2009). ‘Guy Burdin: Ses Films’ (interview with Shelly Verthime), Dazed Digital, https://www.51lunwen.org/daixieassignment/.
Leventon, M. (2005) Artwear: Fashion and Anti-Fashion. London: Thames and Hudson.
Polhemus, T. (2010) Street Style. London: PYMCA.
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Martin, P. (2009). ‘SHOWstudio: A Revolution in the Making’. SHOWstudio: Fashion Revolution, exhibition catalogue, London: Somerset House, pp. 54-59.
Matt, G. and Gundlach F.C. (2011) Vanity, Fashion Photography from the F.C.