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The imaginary content analogies to music refers to a transposition of music into literature not in the acoustic or structural yet in a poetic way through thoughts, imagery or any other literary techniques, “which create the impression of being triggered and guided by the imaginary substance and effect of a real or fictitious piece of music (Wolf 232).” McCullers’ fiction shows that what music has a tremendous impact on the character through musical description, which also drives readers think of the same musical piece in their mind through literary words. They can imagine the graphic image by the musical description, which is a kind of evocation in intermedial imitation between music and literature. Next there are two examples in Carson McCuller’ fiction, which makes reader remember musical pieces of The Eroica(heroic) Symphony and Lindenbaum(“The Linden Tree”).

The Heart Is a Lonely Hunter is the first novel that McCullers wrote in 23. McCullers has experienced a sense of adolescent confusion and self-denial, thus she depicts a lonesome, confused and depressive Mick who has fascination with musical pieces. Beethoven lights her musical dream suddenly and gives unlimited power to her life. For her, music is an intermedia that builds connections between the imaginary and natural worlds. An example of this intermedial device is The Heart Is a Lonely Hunter, in which a show on the radio is evoked in Mick’s mind through a “graphic” description. It is also a romantic evocation of an idealized future or the outside world. Mick is tired of their impoverished family and marginalized situation, “She would have a whole symphony orchestra and conduct all of her music herself (McCullers, Hunter, 205).” And playing music is her only way to realize the dream. Mick is a music lover that listens to music from her neighbor’s radio secretly. She is weird and lonesome at the grammar school. Then she hosts a party for not being isolated from her classmates.

2.2 Structural affinities with music

Structural analogies to music means that “music emerges as a signified concerning music as a form. (Wolf 58)” The novel’s structure imitates musical form through word music or any other references related to music from the macro and micro aspects. For musicalized fiction, the composer creates music like the writer fictionalizes various novels. They share similar textual structure, movement, rhythm, and emotion.

Given the more profound impact of music on Carson McCullers, we have evidence to prove the structural affinities between her works and musical patterns. Her first novel, The Heart Is a Lonely Hunter, follows the sequence of Bach’s fugue and transmits a similar mood. The passage is a kind of music translated into literature.

Concerning her first novel, The Heart Is a Lonely Hunter, many critics detect musical elements in McCullers’ first novel, especially its fugue structure. Even the author herself stated that “The form is contrapuntal throughout. Like a voice in a fugue, each one of the main characters is an entirety in himself (Singer) (McCullers, Stories,530).” The most common interpretation claims that the novel is surrounded by a central character, John Singer, to whom the rest ch本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。