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摘要：The third person "limited point of view, namely the story after a character to the center of the development of consciousness filtering technique, is considered by Henry James's main contribution to modern fiction. But, the centre of consciousness of a single perspective can't take the place of the author's omniscient perspective.

The third person "limited point of view, namely the story after a character to the center of the development of consciousness filtering technique, is considered by Henry James's main contribution to modern fiction. But, the centre of consciousness of a single perspective can't take the place of the author's omniscient perspective. In many cases, especially in the centre of consciousness without a high IQ, too much to rely on a single perspective will LingRu readers. For this, James proposed "the lamp theory" to solve this difficult problem. This paper mainly introduces the theory and related skills, and also give examples to show he constantly improve the process of perspective theory to test-from a single perspective, you can never get rid omniscient traces of narrative, to find double perspective to make up for the defect of the single Angle, and then to use multiple perspective to enrich the double perspective. Keywords: perspective theory mention line characters lamp media centre of consciousness and the third person say limited point of view, namely the story after a character center of consciousness to development of filter skills, is considered by Henry James's main contribution to modern fiction. It avoids all know the author may lead to large, organization structure of loose and focus on the real life of the heavy and complicated is distracting, but limited the writer can carelessly dispose the number and range of their materials.

内容提要: 第三人称有限视角,即故事完全经过一个人物的中心意识过滤来发展的技巧,被认为是亨利•詹姆斯对现代小说的主要贡献。但是, 意识中心的单一视角不能代替作者的全知视角。在许多情况下,特别是在意识中心没有较高智商的情况下,过多地依赖单一视角将会把读者领入歧途。为此,詹姆斯提出了“油灯理论”来解决这个难题。本文着重介绍了这个理论及相关技巧,并举例说明他不断完善视角理论的过程———从开始试验单一视角,摆脱不掉全知叙述的痕迹,到发现双重视角来弥补单一视角的缺陷,再到用多重视角来充实双重视角。

关键词: 视角　油灯理论　提线人物　媒介　意识中心　

第三人称有限视角,即故事完全经过一个人物中心意识的过滤来发展的技巧,被认为是亨利•詹姆斯对现代小说的主要贡献。它避免了全知作者可能导致的结构庞大、组织松散和聚焦于纷杂繁复的真实生活,但限制了作者可以随意处置材料的数量和范围。
But, the centre of consciousness of a single perspective can't take the place of the author's omniscient perspective. In many cases, especially in the centre of consciousness without a high IQ, too much to rely on a single perspective will LingRu readers. So how to solve this problem? James is elaborative, put forward "the lamp theory". He will be "around a central body introduced by many small dot of a circle of elaborate partition". He said the center is the position of the object I, my body is in it, the thing is named after him, these small dot represents the oil lamp so much, I like that call them, each function is do all it can to light up a party. (1) the theory by his drama writing experience of inspiration. Between 1890 and 1895, in order to stimulate the reader to the attention to his work, James started writing plays, but every time ended in failure. This made him very depressed, but they understand a truth--" a single case of two kinds of situations, lack of will provide ".

但是,意识中心的单一视角不能代替作者的全知视角。在许多情况下,特别是在意识中心没有较高智商的情况下,过多地依赖单一视角将会把读者领入歧途。那么怎样解决这个难题呢?詹姆斯煞费苦心,提出了“油灯理论”。他将“等距离环绕着某个中心物体的由许多小圆点组成的一圈精心划分”。他说:这个中心物体就是我的位置,我的主体就在其中,事物就以他命名,这些小圆点就代表着如此之多的油灯,我喜欢这样称呼它们,它们每一个的功能将是尽其所能照亮一方。①这个理论的提出受到他的戏剧创作经验的启发。1890 年至1895 年期间,为了重新激发读者对他作品的关注,詹姆斯开始戏剧创作,但是每次都以失败而告终。这使他非常沮丧,然而却明白了一个道理———“单一情形缺乏的,两种情形将能提供”。
From then on James deduced that the novel is the same: if a single perspective can't convey enough information, double or even multiple perspective will be able to do it. The discovery that James was very excited, and out of passion, he connected in the res本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。