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dd" is an example. Good ", and "wrote some characters of activities, mainly is the TV series", and "four creator: Louis, mathilda, hot Tuesday and" me ", especially the "I" (Marco) activities and "heart monologue" also account for a space, plus the novel basically used the first person "I" statement, it is easy to be readers think "I" is a hero. But from the whole work to see the "I" and had not been "focus on depicting", not a concentrated expression of object. The story unfolds, the activities of the other characters is not "I" as the center. Write "I" activities, write "I" "princess", also is not to make "I" image, and what's more, some sections of the contents and "I" have nothing to do. In a word, "I" is not the work of the protagonist, other people are not even more. So, what exactly is the hero? From the whole of works to see, the hero is not the people, but the name of a work, namely 4 individual collective work of a TV series ", and ". The author used a lot of space to shape the gaza, add "" image". "The gaza add" in the novel the ever-present, everywhere. The novel is divided into six chapters, each chapter and the gaza, add "has a direct or indirect correlation.

 译完《萨加》后,我感到除了故事引人入胜外,作者在叙事手法上也是匠心独运,别具特色。本文拟从分析作品的叙事策略入手,对文本作一解读。寻找主人公何谓主人公? 新版《辞海》上说,文艺作品中的主角。文学作品和戏剧、电影等所集中刻画的主要人物。是矛盾冲突的主体,一部作品某些情节的展开及其他人物的出现和活动往往以主人公及其活动为中心。一部作品一般有一个或几个主人公,人数多寡视作品的容量或性质而定。③一般来说,这个定义具有相当程度的普适性。联系到法国的文艺作品,通常也是适用的。但是,综观20 世纪以来的法国文学作品,小说的主人公未必都是作品中的人物,有些作品,其主人公就不是人物,而是别的。《萨加》就是一例。不错《萨加》里写了一些人物的活动,主要是电视连续剧《萨加》的4 个创作者:路易、玛蒂尔德、热罗姆和“我”,尤其是“我”(马尔科) 的活动以及“内心独白”还占了相当的篇幅,再加上这部小说基本上采用了第一人称“我”来叙述,很容易被读者认为“我”就是主人公。但从整个作品来看“, 我”并没有被“集中刻画”,并非集中表现的对象。故事的展开,其他人物的活动也并不以“我”为中心。写“我”的活动,写“我”的“内心独白”,也并非为了塑造“我”的形象, 更何况有些章节的内容与“我”无关。总之,“我”不是作品中的主人公,其他的人物就更不是了。那么,主人公到底是什么? 从整部作品来看,主人公不是人物,而是一部作品的名称,即4 个人集体创作的一部电视连续剧《萨加》。作者用了很多的篇幅着力塑造了《萨加》的“形象”。《萨加》在整个小说中无时不在,无处不在。这部小说共分6 章,每一章都与《萨加》有着直接或间接的关联。
The first chapter "ChuangZuoZu," the authors write four have a date, waiting for television production manager ray to talk about the plug to write the gaza and the requirements of the ". Chapter 2 to shape the TV series ", and "image, the authors write four idea how the gaza add", creation ", and ", make sure to write live on the same platform of two between the family story, to give each character name, four people were to write the introduction, novel appeared in the TV series ", and "of 10 several clips, still use a space narrative how to looking for actors, and" the gaza, add "broadcast audience letter, only chapter 2" sa add "accounted for more than half the book's pages. Chapter 4 "80 collection" describes the creator of the concept, in what idea the TV series ", and "80 sets. The rest of the chapters from different angles wrote the TV series ", and "and the fate of the creator. The TV series ", and "always in the center position, the emergence of the characters in the novel and activities are related with it, or the mastermind, or creator, or the producer, or participants, or the audience, or supporters, or sending fighters into the obsequies. 本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。